LCME Piano Syllabus 2026

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


In the rapidly changing landscape of graded piano exams, the regular appearance of new syllabus and varied repertoire publications has remained a positive constant, so when LCME’s 2021-24 piano specifications expired, it was a surprise that they were extended pending a replacement.

This appears to be because the board has undergone considerable change during and since the pandemic. With new leadership and systems now in place, LCME are firmly back, and have this week published the long awaited new piano syllabus, wisely billed as being “valid for examinations from 2026 until further notice”.

Although the new syllabus is immediately valid from 1st September 2026, the previous 2021 syllabus will also remain valid until 31st July 2027 (but mixing the two is not allowed).

In this extended review, I will consider the new repertoire selections and ‘Piano Handbook’ publications, offer insight into other significant syllabus changes and options, and reflect on LCME’s continuing place within the piano exam market.

So to answer the big question many will have, has the wait for the new LCME piano syllabus been worth it? Let’s find out…

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LCM: In Concert 2

Selected and Reviewed by Andrew Eales
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London College of Music’s suite of LCM Diplomas have just been revised for 2019, with certification beginning this Spring, and with a crossover during which candidates can continue to use the previous 2011 syllabus.

Alongside the Diploma syllabus revision, a new anthology of solo piano repertoire has been published, called In Concert 2. This book is the sequel to last year’s In Concert, which I enthusiastically reviewed here.

In this review I will look at the syllabus and then offer a more detailed review of In Concert 2, which may in any case have a wider appeal.

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LCM ‘In Concert’ anthology

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


London College of Music Exams may be less well known to readers than the ABRSM and Trinity College London boards which I have written about previously, but that may be about to change

Certainly LCM offer a very wide range of different assessments for piano players. According to my colleague David Barton:

And it isn’t just in the area of examinations that LCM are looking to innovate and lead the way, but also in the area of publications…

When Publications Officer David Duncan told me that he hopes to significantly shake up their publications, I quietly thought to myself ”thank goodness, as their previous efforts haven’t been particularly user friendly, well edited, or attractively presented.

That said, nothing prepared me for the extent and speed with which LCM Publications would reinvent itself: their new collection of selected works from their Piano Diploma syllabus has taken my breath away.

Put simply ’In Concert is an extraordinary achievement, and in a completely different league from LCM’s previous published efforts. And whether or not you are interested in LCM’s Diploma exam, this is a highly desirable new collection for players looking for interesting and diverse repertoire at this level.

Let’s take a closer look…

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