Debussy: Préludes pour piano

Selected and Reviewed by Andrew Eales
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The two books of Préludes by Claude Debussy (1862 -1918) are undoubtedly among the most important and popular piano compositions of the early twentieth century, and have exercised a truly seminal influence on the piano music of subsequent generations.

Published in 1910 and 1913 respectively, each book contains 12 pieces, each one of them an invitation to another unique, fully imagined world. In many ways a summation of Debussy’s extraordinarily vivid piano writing, these miniatures are self-contained miracles of sonority, impressionistic and colourific effect; they are equally a lesson in taut compositional clarity and structural genius.

Originally published by Durand, the Préludes are now available in various combinations and editions from most of the major publishing houses, including Henle Verlag, Wiener Urtext, Edition Peters, Schirmer, Alfred and Dover.

In this review I am looking at the new urtext edition by Thomas Kabisch, published by Bärenreiter in two volumes; both volumes are exemplary in their scholarship, also including helpful editorial fingering supplied by the pianist Martin Widmaier.

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Discovering Janáček

Selected and Reviewed by Andrew Eales
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Leoš Janáček (1854-1928) lived a life of music, but it was in his mature phase that he created the most enduring of his masterpieces.

Works such as The Cunning Little Vixen, the orchestral Sinfonietta and Taras Bulba, the Glagolitic Mass, and two popular string quartets have ensured that Janáček’s reputation is now immortalised as one of the greatest ever Czech composers, and a leading figure in the narrative of European music in the early twentieth century.

Janáček composed for the piano throughout his career, from his younger days as a student in Leipzig through to Vzpomínka [Reminiscence], composed in his final year. However, his major published works date from between 1900-1912:

  • On an Overgrown Path (1900, 1908, 1911)
  • Sonata I. X. 1905 (1905) and
  • In the Mists (1912).

In this survey I will take a look at each of these works, followed by a recent compilation of Janáček’s less well-known solo piano music.


In all cases, I will be turning to the benchmark editions from Bärenreiter, which can be regarded as the authoritative performing versions.

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Sibelius: Three Sonatinas Op.67

Selected and Reviewed by Andrew Eales
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Jean Sibelius (1865-1957) is best known for his seven Symphonies, ever-popular Tone Poems and brilliant Violin Concerto; many pianists are unaware that he also wrote prolifically for our instrument.

Although Finland’s greatest composer famously declared that he didn’t like the piano and only composed for the instrument to generate income, he wrote more than 150 solo works, predominantly miniatures, and in many cases works of tremendous musical value and appeal.

Among these many works, the Three Sonatinas Op.67 are later pieces which fully embody the compressed craftsmanship and musical language of the mature Sibelius.

Published by Breitkopf & Hārtel, the benchmark edition is the Complete Edition of Jean Sibelius Works, series V Works for Piano, edited by Karl Kilpeläinen and published in 2008. Happily, Breitkopf have now released the Three Sonatinas as an individual folio, the subject of this review…

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Egon Wellesz: Sechs Klavierstücke op.26

Selected and Reviewed by Andrew Eales
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Egon Wellesz is one of those great pioneers of 20th century music who perhaps hasn’t yet been given his due either by historians or audiences.

Wellesz’s Sechs Klavierstücke (Six Piano Pieces) op.26 were composed in 1919 but are only now, a century later, appearing in print as a complete work. Perhaps finally their significance within the music to have emerged from Vienna in those decisive early decades of the twentieth century will finally be recognised…

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Herbert Howells: Piano Works

Selected and Reviewed by Andrew Eales
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Last year, pianist Matthew Schellhorn treated us to a splendid recording of the lost solo piano music of the celebrated twentieth century English composer Herbert Howells. Now I am delighted to tell you about a recently released sheet music publication which includes all of these rediscovered and reissued works, together with a few other newly resurrected miniatures.

Edited by Jonathan Clinch, and brought to us by Novello Music, Herbert Howells Piano Works is an absolute treat for all lovers of this music, and a very welcome addition to the repertoire of advanced players.

Herbert Howells Piano Works Novello

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Kurt Schwertsik: Piano Works

Selected and Reviewed by Andrew Eales
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When Austrian composer Kurt Schwertsik’s Albumblätter: collected piano works landed on my desk in 2018, I was intrigued, but like too many books it ended up buried in my review backlog.

Fast forward to Summer 2020, and the newly released recording of this music by pianist Aya Klebahn caught my attention on Apple Music. Second time lucky, I was quickly hooked…

Publishers Boosey & Hawkes tell us:

Intrigued? A little belatedly, here is the Pianodao review…

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Bacewicz: Children’s Suite

Selected and Reviewed by Andrew Eales
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Grażyna Bacewicz (1909-1969) is at last gaining the recognition she deserves as one of the great composers of the mid-twentieth century, her towering Second Sonata rightly applauded as one of the significant piano masterpieces of the last century.

Among the composer’s many smaller-scale piano works the Suita dziecięca or Children’s Suite is a delightful highlight, its eight charming miniatures for the late-intermediate pianist a fascinating progression from the educational piano music of Bartók, Kabalevsky and Prokofiev, whose popular Musiques d’enfants reviewed here appeared just one year after Bacewicz’s Suite.

Poland’s major publishing house Polskie Wydawnictwo Muzyczne, PWM Edition, have recently delivered a delightful new edition of the work, edited by Monika Dziurawiec and with a gorgeous cover design by Joanna Rusinek.


Let’s look at this new publication and delve into the imaginative pianism of Bacewicz, not least because this important work surely deserves a place within the core pedagogic repertoire that every piano teacher should try to be aware of…

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Piano Music of Africa and the African Diaspora

Selected and Reviewed by Andrew Eales
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One of the many positive developments within the piano teaching and performing community in 2020 has been a re-evaluation of the contribution of musicians of African descent to the repertoire.

A primary sourcebook for this music, Oxford University Press published Piano Music of Africa and the Afrian Diaspora in five volumes, compiled and edited by William H. Chapman Nyaho, between 2007-8. Between them, the books offer 60 pieces by 36 separate composers of African descent, organised by difficulty level as follows:

  1. Volume 1: Early Intermediate
  2. Volume 2: Intermediate
  3. Volume 3: Early Advanced
  4. Volume 4: Advanced
  5. Volume 5: Advanced

More than a decade has passed since the publication of these books, and it is odd that so little of this music has made its way onto concert platforms or found regular use in teaching studios, exams, and homes.

Quite why more haven’t picked up this music is a mystery, because anyone with a fair mind and musical imagination will discover as soon as they explore these OUP volumes that the music of these neglected composers is consistently superb.

So let’s explore the series…

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