David Hall: ‘There’s More to Playing the Piano’

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


A preponderance of music theory publications currently exist which are specifically tailored for those preparing to battle with the requirements of the graded exams. And yet, for those who simply want to understand notation and written music in a way that’s useful and relevant to today’s piano players, the market has long been wide open.

Finally we can welcome a simple textbook which is clear, concise, and of practical benefit. While not entirely eschewing the testing regime, David Hall’s excellent self-published There’s More to Playing the Piano offers a thorough explanation of music theory which is for all, and which has two very special selling points.

In the author’s own words:

  • Each chapter ends with an activity to try at the piano. These activities will bring the theory topic to life and show you how your new theory knowledge can be applied to develop your skills of composition, improvisation, analysis and performance.
  • Scan the QR Codes to gain access to online videos where David explains each topic again and demonstrates the piano activities.

Could this be the ideal music theory primer for pianists of all ages?

In a word, “yes”. Whether you are searching for a better understanding of the music you play, a returning pianist refreshing your knowledge, or a student wanting a crash course or revising for an exam, I think that this book could well be for you. So let’s take a closer look…

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LCM Piano Syllabus 2021-24

Selected and Reviewed by Andrew Eales
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London College of Music Examinations (LCME hereafter) bill themselves as a progressive, friendly exam board offering a wide selection of graded music exams and professional diplomas. Founded as far back as 1887, the board arrived on the scene two years before ABRSM, and ten years after the first board, Trinity College Exams.

LCME pride themselves on continuing to lead the way in developing exam options that are relevant to today’s global world. Indeed, the performance grade options that other boards have introduced in the last year follow a blueprint LCME laid down years ago.

Uniquely, having become part of the University of West London, LCME are now the first and only exam board whose qualifications are awarded by a University. Conducting exams in more than 80 countries around the world, LCME retain their traditional qualities while being widely praised for fielding examiners known for being warm and approachable, ensuring candidates are put at ease and able to perform to their full potential.

With such particular strengths, it is perhaps odd that relatively few teachers are aware of their offer, but the recent arrival of the 2021-2024 Piano Syllabus and accompanying Handbooks offers a timely opportunity to take another, closer look…

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Martin Stadtfeld’s Händel Variations

Selected and Reviewed by Andrew Eales
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At the age of seven, Martin Stadtfeld had a clear vision of his career goal: to become a concert pianist. From his first piano lessons with Hubertus Weimar he explored counterpoint and harmony. At 14 he went on to study with Lev Natochenny in Frankfurt, and by the age of just 22 he had signed to SONY Music Germany and released his debut CD: a recording of Bach’s monumental Goldberg Variations.

Fast forward a decade and a half, and with a string of successful recordings behind him (including Bach, Mozart, Schubert, Schumann and Chopin), Stadtfeld turned to Handel for inspiration for his 2019 Händel Variations recording. Transcribing the great Baroque composer’s themes to produce fresh new piano showpieces, much as he had previously done for his Hommage to Bach album the previous year, Stadtfeld scored another hit.

And now, following the album’s popularity, Schott Music have delivered the official sheet music score of Stadtfeld’s “transcriptions for piano solo on themes by Georg Friedrich Händel”. Let’s have a look…

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