Sheet Music Review
ABRSM’s popular Piano Star series, which originally aimed at bridging the gap between the pupil’s first tutor book and ABRSM Grade 1 piano, continues to grow.
The seventh and latest book in the series, Piano Star Duets offers 26 newly composed or arranged piano duets for ‘early beginners to Grade 2 level’, compiled and edited by David Blackwell and Karen Marshall.
With five of these pieces also selected as duet alternatives in the 2021-2 ABRSM Piano Syllabus, which I recently reviewed here, the book is likely to tempt teachers and students looking for a one-stop collection of duets that they can dip into over a couple of years of lessons.
That the pieces have been commissioned from some of our leading pedagogic composers further adds to the attraction.
Before taking a look, full disclosure. I contributed a single piece each to four previous titles in the series. However, I receive no ongoing royalty income from those, have absolutely no vested interest in the series, and chose not to contribute to the Piano Star Duets collection. I write here with full independence.
So, with that out of the way, let’s jump in with all four feet…
Continue reading ABRSM: ‘Piano Star’ Duets
Heather Hammond is a piano teacher and the composer of the Cool Piano, Funky Flute, Cool Clarinet & Super Sax books (all published by Kevin Mayhew Ltd), and will be known to many readers for the Get Set! Piano series (Harper Collins) and award-winning Intermediate Pianist series (Faber Music), both co-authored with Karen Marshall. She also has a number of books published by Elena Cobb (EVC Music Publications Ltd).
Heather’s pieces frequently appear in exam syllabuses, and she wrote the three current pre-Grade 1 London College of Music handbooks. She is currently working on pieces for the new LCM electronic keyboard and flute syllabuses.
Here’s her story…
Continue reading Your Story: Heather Hammond
Pictured (from the left) – Andrew Eales, Elena Cobb, Lindsey Berwin and Heather Hammond.
We often hear of a decline in music education within UK state schools – and without doubt, over the last 25 years of teaching I have witnessed a steady but undeniable diminuendo in the musical life of local schools here, often despite best intentions.
How wonderful, then, to see buoyant evidence of enthusiasm for music among young people – as was most certainly and robustly the case when I attended the Elena Cobb Star Prize Event at the Elgar Room in London’s prestigious Royal Albert Hall last week.
Here was a showcase of great playing delivered by young people from around the UK and beyond, each performing and clearly relishing music by a host of living writers, and in many cases in the very presence of those composers.
Continue reading EVC @ the RAH
Sheet Music Review
Of the accredited music exam boards in the UK, LCM (London College of Music) Exams offer the most diverse and perhaps most interesting range of graded and other assessments for piano players, and although perhaps less well-known than their main competitors ABRSM and Trinity College London, their brand new piano syllabus for 2018 may go a long way towards altering perceptions and the appeal of LCM.
As with ABRSM and TCL, LCM Exams offer a series of eight Grades, followed by a range of professional diploma exams. I was bowled over by the quality and content of the excellent new diploma anthology published back in the summer, which I reviewed here.
The new series of Piano Handbooks for the eight Grades are, in my view, equally stunning, and leave no doubt that LCM have set their sight on being the best in their field.
But for now, let’s check out their unique offering for pre-grade one players…
Continue reading LCM’s First Steps
Sheet Music Review
The Intermediate Pianist series is a fresh and ground-breaking approach which is full of brilliant musical ideas. It’s sure to enable pianists to play with greater understanding and engagement, and comes very highly recommended.
Here’s the Pianodao review…
Continue reading The Intermediate Pianist