Dora Pejačević • Early Pieces

Selected and Reviewed by Andrew Eales
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The Schott Student Edition series continues to expand, offering outstanding new collections of pedagogy classics and rediscovered gems. I have reviewed several previous titles here, and was delighted to recently receive a superb addition to the set: Dora Pejačević: Early Piano Pieces.

By happy synchronicity, I was teaching at The Thinking Pianist course just a few days after the Schott Music volume landed in my postbox, and during the week my faculty colleague and friend Ivana Gavric gave an illuminating lecture recital introducing Dora Pejačević.

Having commercially recorded and performed the music of her famous compatriot, Ivana has a natural affinity with Pejačević’s music, promoting it with sensitivity, balanced enthusiasm, and retelling the story of this formidable Croatian cultural icon. Having packed Dora Pejačević’s Early Piano Pieces for the trip, we were able to discuss this new volume, and I am indebted to Ivana for her insights.

Meanwhile, introducing the Schott Music book, its editor Monika Twelsiek (who has previously brought us many outstanding publications in the Schott catalogue) tells us,

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Prokofiev • Musiques d’enfants

Selected and Reviewed by Andrew Eales
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Over the last three decades, few music collections have been used in my teaching as regularly and consistently as Prokofiev’s Musiques d’enfants. The simple joy of these twelve intermediate level pieces (UK Grades 3-5) is that they so brilliantly combine genuine creative invention, immediacy of appeal, and immense pedagogic value.

Until now, the go-to edition has been the “Authentic Edition” from Boosey & Hawkes, who owned the distribution rights. Theirs is an attractively presented, reliable, and perfectly usable version, but not entirely without issues. Aside from a couple of tricky passages for which the composer added fingering, none is provided; nor are English translations for the French titles. The introduction and composer biography by Peter Donohoe are neither child-friendly, nor pedagogically insightful for teachers.

With Prokofiev’s music now out of copyright, others are quickly bringing editions to market. Edition Peters have reissued their own earlier version, which in common with the Boosey & Hawkes edition is accurate but rather basic, albeit English titles are added, and their edition benefits from being printed on cream paper.

Now a brand new edition has appeared in the Schott Student Edition series, edited and featuring superb fingering suggestions throughout by the ever-impressive Monika Twelsiek. With English and German translations for the piece titles, a useful Preface, and detailed Teaching Notes for each of the twelve pieces, I think that this is now the edition to go for…

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Chaminade • Album des enfants

Selected and Reviewed by Andrew Eales
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I have previously heaped praise on the Schott Student Edition, a set of tastefully produced and superbly edited publications presenting core and lesser-known pedagogic repertoire in an attractive, affordable and contemporary format for today’s learners.

Designed for use in instrumental teaching, with titles projected to range from easy beginner music to more advanced repertoire, this is a superb series, and you can browse my previous reviews here.

Schott Music have recently added several interesting new titles to the series, and I will be looking at each in turn over the coming weeks.

One of the undoubted highlights, and the subject of this review, the much-respected editor Monika Twelsiek has selected twelve delicious highlights from Cécile Chaminade’s Album des enfants to delight today’s learners…

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Schott’s Easy Concert Pieces

Selected and Reviewed by Andrew Eales
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Easy Concert Pieces is a brand new series of three piano collections edited by Monika Twelsiek and Rainer Mohrs, published worldwide by Schott Music, and including selections of core piano music from the Baroque to the present day.

According to the Preface,

“The Easy Concert Pieces series presents easy piano pieces in progressive order. These pieces are intended to complement a piano tutor method and are particularly suitable for performance and auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras.”

This is hardly a revolutionary concept, and aside from the many exam-music spin-off books on the market I was immediately reminded of the collection My First Concert, also edited by Monika Twelsiek and published by Schott last year. Indeed, several of the pieces from that collection are included again here, albeit in an enlarged book series, and organised more effectively into order of difficulty.

I must admit that I far prefer the presentation here, too, which I think is very classy indeed. Printed on cream paper and to the same well spaced and clean engraving standards enjoyed in other recent Schott publications, the books are saddle stitched, have simple but very attractive covers.

Schott have generously included professional recordings of all the pieces. These initially appeared as an included CD, but are now digital downloads. They are well produced, enjoyable to listen to, and learners will find them helpful for selecting pieces, and hearing good models of phrasing and style. They feature pianist Vera Sacharowa, who is joined from the second volume by Wilhelm Omen.

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