Piano Teaching and the Art of Criticism

Supporting Your Piano Pathway
Written by Andrew Eales


“Advice is like the snow. The softer it falls, the longer it dwells upon and the deeper it sinks into the mind”

Samuel Taylor Coleridge (1772-1834)

One of the key roles of a piano teacher is to help their students make direct improvements in their playing. To do this we must identify the priority areas that need attention, hopefully without turning into the scolding teacher in the photo above!

In this article I will share some suggestions on how to offer helpful criticism, encouraging positive progress and enthusiastic learning. I will cover the following points:

  • Why Accuracy Matters
  • The Piano Teacher as “Critical Friend”
  • Golden Tips for Giving Constructive Feedback

Listening to our students play and offering suggestions for improvement is certainly not the whole of a piano teacher’s work, but in many lessons it will be a central feature…

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Simple fixes for easing piano pain

Supporting Your Piano Pathway
Written by Andrew Eales


Bernice (a real person, but not her real name) is a 76-year-old learner who took up the piano about 5 years ago. She has made steady progress, is now early intermediate level, and particularly enjoys playing traditional classical favourites.

The article which follows is based on Bernice’s true story, her lessons with me, and easy adjustments which have helped her overcome discomfort when playing. She has given permission for this to be shared in order to similarly help and encourage others.

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The Playful Piano Teacher

Supporting Your Piano Pathway
Written by Andrew Eales


Are you a piano teacher? If so, let me ask you a question:
Do you enjoy your work? I mean – really enjoy it, all the time?

I’m fairly sure that most of us, if we are honest, will recognise that while we love our work in general, there are times where fatigue, impatience, distraction and even boredom can set in, even very fleetingly. And while we may feel a little guilty or inadequate in those moments, the reality is that in any job (however wildly fulfilling) we all experience “off days” and times when our heart isn’t quite so far into it as usual.

To counter the negative feelings that this can produce, I invite you to consider this wonderful quote from Buddhist teacher Haemin Sunim:

“Those who work in a playful, relaxed manner
tend to work efficiently and creatively;
Those who work non-stop, driven only by stress,
work without joy.”

Haemin Sunim, The Things You Can See Only When You Slow Down (2012)

In this post I am going to consider what it might mean to “work in a playful manner”, and how this could make all the difference for our students.

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Personalised Learning

Supporting Your Piano Pathway
Written by Andrew Eales


Every aspect of music is personal.

A good performance depends on the player’s personal interpretation of the music. Enjoyment, for the listener, depends on their personal response to the music, which in turn is informed by their personal taste, familiarity and musical experience.

And in the same way, learning to play a musical instrument is a highly personalised experience. In this post we’ll consider why that is true, and what it means in practice.

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Piano Lessons: Dealing with Anxiety

Supporting Your Piano Pathway
Written by Andrew Eales


I am sure that most piano teachers will be alert to the fact that some pupils coming to lessons are anxious. This post will look at some reasons for that, and offer some suggestions that might help normalise lessons.

The article is written for any player who has ever said. and any teacher who has ever heard the words:

“It was perfect when I practised it at home this morning…”

Clearly, in order for student and teacher to make the most of any piano lesson we all want to move beyond this point!

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A Voyage of Discovery

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In this important and persuasive article, esteemed educator and best-selling author PAUL HARRIS explains how deep subject knowledge promotes spontaneity, and how a connected “simultaneous learning” approach can enhance teaching.


A lesson is a journey. But a rather special kind of journey: more a voyage of discovery. And we, as teachers, are both pilot and guide, working alongside our pupils, sometimes planning the route together, with the ultimate intention of teaching them to guide themselves.

And what makes each journey, each lesson, so exciting, is that we don’t necessarily know either the route or exactly where we are heading … until we get there! But, crucially, we need to ensure that the journey is both enjoyable and productive.

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Playing the Piano “For Fun”?

Supporting Your Piano Pathway
Written by Andrew Eales


I recently asked the members of an online piano teaching forum the following question:

“I want to learn to play piano for fun…”
What do you think when pupils/parents say this to you?

Perhaps it’s no surprise that answers ranged from “Get a trampoline!” at one end of the spectrum, to “Great, that’s the best reason!” at the other. And the constructive debate which followed certainly proved illuminating.

With this in mind, I would like to share a few of my own views and hope this will encourage further thought and ongoing discussion.

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