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Schumann’s Romanze in F sharp Op.28 No.2 is one of my absolute favourite pieces to play, and with its inclusion on the ABRSM Grade 8 syllabus over the last couple of years it has also featured more prominently in my teaching. This truly beautiful paean to love is surely one of the highlights of the nineteenth century repertoire, and is understandably cherished the world over.
That said, many struggle to read the score accurately, which in most editions is compressed to two pages, dense with accidentals, counterpoint and three-stave passages.
A welcome solution has arrived with a new edition from Wiener Urtext Edition, who have generously afforded the piece four pages (including one page turn). Playing the piece using this version has proved for me a boon, the notation a model of clarity.
The other two Romances also appear more inviting here, freshly edited by Michael Beiche and with fingerings and notes on interpretation by Tobias Koch. So let’s take a closer look…
Continue reading Schumann’s Three Romances