“Stand back from the edge please!”

The Fermata Series

As the words boomed along the station platform, I realised straight away that they were directed at me. I turned, looked up the platform towards a burly man in an official-looking hi-vis jacket and sheepishly gave him the thumbs up.

I had been momentarily transfixed in a meditation on the nature of fear.

Looking down at the rails I realised how easy it would be (having first checked there were no trains on the horizon) to step down from the platform, hop across the tracks and explore the beautiful verge that faced me on the other side.

And yet I would never, ever actually do so.

A self-preservatory terror of the rails had been instilled into me decades ago by my mother. My guess is that most of the passengers waiting on the platform would feel something of the same fear.

When movie heroes leap onto the tracks, we regard it as derring-do, suitably convinced of the huge risks involved. Meanwhile we ignore the thought that ordinary Network Rail employees routinely mosey around the rail infrastructure on a daily basis without being vaporised on the job.

Most of us rarely question the fears or values that were instilled in us at a young age. But perhaps we should do.

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Henle’s revised Chopin Scherzi

Sheet Music Review

Ask a group of pianists which edition of Chopin’s piano works is the best, and you will probably get little consensus.

Some cling to our old copies of the much-revered Paderewski Editions which have been widely used since their appearance in the mid-twentieth century, while of the more recent urtext editions, the Jan Ekier Polish National Edition comes highly recommended.

Alongside these, the ever-reliable Henle Urtext editions have been popular for many years, and enthusiasts will be pleased to hear that they have just added a new revised edition of the 4 Scherzi, edited by Norbert Müllemann and with fingerings by Hans-Martin Theopold.

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Wiener Urtext: ‘Primo’ Series

Sheet Music Review

“Easy” collections of the core classical piano repertoire abound, but few bring to the table the depth of scholarship, reliable editing, fingering and expert advice found in the recent (and ongoing) “Urtext Primo” series.

As the latest collection in the series – featuring the music of Clementi, Czerny and Cramer – hits the shelves of music stores worldwide, let’s take a look …

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