The Pavane Op.50 by Gabriel Fauré (1845-1924) is blessed with one of the most delectable and beloved melodies ever composed, and was from the start one of its composer’s most popular works, exuding the spirit of Paris’s fêtes galantes at the turn of the century.
The piece was originally composed for orchestra in 1887, described by Fauré at the time as “carefully crafted but not otherwise important”. Before the end of the year, there followed a version for chorus and orchestra. Some three decades later, the iconic impresario Serge Diaghilev had it choreographed for his Ballets Russes, a sign of its continuing great popularity.
Many transcriptions of the Pavane have existed, including the solo piano version published in 1889 (the composer’s duet version was also advertised, but if it ever appeared it has sadly been lost).
Many simplified versions have and continue to appear, but for those wanting to explore the original version (most likely prepared by Fauré himself, who performed it several times and even recorded it for player piano), Bärenreiter have just issued a superb urtext edition, BA 11832, the subject of this short review…
When global concert and recording artists Paul Lewis and Steven Osborne teamed up a couple of years ago to record an album of piano duo music by Schubert, it seemed they might become the new dream team in this repertoire. Now they are back with a second helping.
French Duets delivers exactly what it says on the tin, with music by Fauré, Poulenc, Debussy, Stravinsky and Ravel: some of the brightest gems in the piano duo treasury. And to my taste at least, this recording surpasses the last, becoming an immediate favourite.
Of all the truly seminal composers in the evolution of the piano repertoire, Gabriel Fauré (1845-1924) remains one of the less performed, his significance little understood, his extraordinary music too easily overlooked.
How welcome then In paradisum, the second instalment in French-Canadian pianist Louis Lortie’s Chandos series A Fauré Recital which began with the excellent Après un rêve(available here) back in 2016, and which we must hope will develop into a complete cycle of this, arguably Fauré’s most important body of music.
Whether you are already an enthusiast for this music or a newcomer to it, Lortie’s winning way with Fauré’s idiom will enchant and enliven your appreciation of this wonderful repertoire, so let’s take the disc for a spin…