In the conclusion to my recent review of Bärenreiter’s recently published Jonathan Del Mar edition of the complete Beethoven piano sonatas, I noted,
“With the appearance of Jonathan Del Mar’s new benchmark edition for Bärenreiter, we have less of an excuse than ever when it comes to understanding and interpreting the master’s intentions… This magnificent resource is surely not only a new landmark in Beethoven scholarship, but for pianists its issue is the publishing event of the decade.”
In the light of such high praise, eyebrows might be raised at the spectacle of me now reviewing an alternative edition. However, it’s only fair to admit that however definitive an edition is (and the Del Mar edition is as definitive as they come), there is still space for more than one edition of these masterpieces on our shelves.
Given the complexity of establishing an exact text of these core works, and the performance considerations they raise, I certainly welcome the option of having a couple of editions to consult, especially if they offer complementary strengths and insights.
Also last year, and with the 250th anniversary of Beethoven’s birth clearly in sight, Wiener Urtext released their own fully updated and revised urtext edition of the Sonatas in three volumes, UT 50427/8/9.
Without detracting from my enthusiasm for the Del Mar edition in any way at all, there are good reasons why some players might welcome the strengths offered by the Wiener Urtext editions, or even prefer them; this review will focus on explaining what I think those are…
Once in a while a music book comes my way which quite simply “blows me away”, and such a book is Little Stories, a new collection of 16 late elementary pieces by Polish composer Agnieszka Lasko, published by Euterpe and distributed by Universal Edition.
With it’s truly lush illustrations and presentation of Lasko’s highly original and attractive compositions, the book is a natural winner. The inclusion in several pieces of opportunities for children to improvise and compose takes the book to another level again, making it a truly essential addition to the childrens’ pedagogic literature.
In addition to Mike Cornick‘s new solo piano collection Ragtime Blues and more (which I recently reviewed here), Universal Edition have just published his latest collection for one piano, four hands: Elgar Favourites arranged for Piano Duet.
Once again, it’s a collection that’s well worth a look, so let’s take one…
The arrival of a new collection from the pen of composer and arranger Mike Cornick is always likely to be greeted with enthusiasm.
Cornick’s latest two publications are Ragtime Blues and more and Elgar Favourites (arranged for piano duet). The latter will be reviewed separately, while in this post I will be having a look at ‘Ragtime Blues and more’…
Ut Orpheus Edizioni (distributed by Universal Edition) have recently published a new urtext edition of Dussek’s catchily-titled The Sufferings of the Queen of France (for piano of harpsichord), subtitled in the original:
“A Musical Composition, Expressing the feelings of the unfortunate Marie Antoinette, During her Imprisonment, Trial, etc. The Music, adapted for the Piano-Forte or Harpsichord Composed by J.L. Dussek.”
Wiener Urtext Edition have, in recent years, made a particular effort to renew their editions of Schubert’s smaller-scale piano works, the two sets of Impromptus, Op.90 and Op.142, and the Moments musicaux op.94, a new edition of which has just appeared on the market.
Is this new version the definitive edition? Let’s see…
“Alles fließt” – “Everything Flows” – is a virtuoso piano piece which was commissioned for the International Beethoven Piano Competition 2017, and first performed during its opening by Christoph Traxler.
When reviewing new music, it always helps to have a recording; and if it happens to be accompanied by an arty film of a man wearing just his underpants having an existential meltdown in a remote forest (see below) … well, so be it.
Now that I’ve got your attention, let me tell you more about this rather wonderful new concert work, just published by Doblinger…
Adrian Connell is well-known and beloved as the smiling face of Universal Edition here in the UK. Over the last three decades, he has tirelessly promoted the music of other composers while quietly and steadily pursuing his own musical interests: conducting, arranging, playing bass guitar, and developing his own portfolio of compositions.
These include 6 Symphonies, 2 Concerti, numerous other orchestral works including overtures, variations and symphonic poems, works for string orchestra and for concert band, and a growing body of choral music. Most of these works were composed in response to commissions.
It’s with great pleasure that I highlight and commend three of his publications for pianists in this short review, all brought to us by German publisher Edition Dohr:
Evolving Blues for Piano four hands (1990)
Six Easy Pieces for piano solo (1990-2015)
Suite on a Jazz Theme for piano four hands (1989/2015)