Born in Cologne in 1957, Martin Doepke has made a big name for himself in Germany as a collaborative keyboard player, recording musician and, since the late 1980’s, composing for theatre and TV productions. He has also taught popular music at the Rheinische Musikschule in Cologne since 1990.
Piano Tales is Doepke’s first published collection of solo piano music from Universal Edition. The book includes three pieces adapted from his hit German musical version of Beauty and the Beast (not to be confused with the Disney one!) as well as ten other original pieces about which the composer writes,
“The pieces in the present volume were written at different times over the years and in various places. They reflect my love of classical music and my passion for film music and musicals. Apart from the three taken from my musical Beauty and the Beast the pieces are not connected. Each tells a short story. Some are playfully romantic, others are rather mystically melancholic or have a pulsing rhythm. Their styles span today’s music genres and call for a love of musical variety and diversity.”
This is certainly a good summary, but let’s take a closer look and listen…
Aleksey Igudesman is perhaps best known as one half of inventive and irreverent classical duo Igudesman and Joo, who have taken the world by storm with their unique and hilarious theatrical shows, combining comedy with classical music and popular culture.
Igudesman and Joo’s YouTube clips have to date gathered over 35 million hits, and the duo has appeared live and on television in numerous countries.
But there’s a lot more to St Petersburg-born Igudesman, who describes himself variously as “The World’s Most Ambiguously Inglorious Composer”, “Most Accidentally Immoral Producer” and “Most Attractively Intense Violininst”.
Insectopedia is one of Igudesman’s latest projects, a collection of ten insect-inspired solo piano pieces for the intermediate pianist which aim to be as educational as they are entertaining.
From the rear cover of the beautifully presented Universal Edition publication, global superstar pianist Yuja Wang tell us:
“Reminiscent of Bartók’s Mikrokosmos, you will have a lot of fun with this little album. In fact, the more you are involved, the more fun you will have with it. The music in Insectopedia is so vivid that you feel like you are becoming one of the insects. Well, perhaps not the cockroach, but try not to fly away after playing it!”
In the conclusion to my recent review of Bärenreiter’s recently published Jonathan Del Mar edition of the complete Beethoven piano sonatas, I noted,
“With the appearance of Jonathan Del Mar’s new benchmark edition for Bärenreiter, we have less of an excuse than ever when it comes to understanding and interpreting the master’s intentions… This magnificent resource is surely not only a new landmark in Beethoven scholarship, but for pianists its issue is the publishing event of the decade.”
In the light of such high praise, eyebrows might be raised at the spectacle of me now reviewing an alternative edition. However, it’s only fair to admit that however definitive an edition is (and the Del Mar edition is as definitive as they come), there is still space for more than one edition of these masterpieces on our shelves.
Given the complexity of establishing an exact text of these core works, and the performance considerations they raise, I certainly welcome the option of having a couple of editions to consult, especially if they offer complementary strengths and insights.
Also last year, and with the 250th anniversary of Beethoven’s birth clearly in sight, Wiener Urtext released their own fully updated and revised urtext edition of the Sonatas in three volumes, UT 50427/8/9.
Without detracting from my enthusiasm for the Del Mar edition in any way at all, there are good reasons why some players might welcome the strengths offered by the Wiener Urtext editions, or even prefer them; this review will focus on explaining what I think those are…
Once in a while a music book comes my way which quite simply “blows me away”, and such a book is Little Stories, a new collection of 16 late elementary pieces by Polish composer Agnieszka Lasko, published by Euterpe and distributed by Universal Edition.
With it’s truly lush illustrations and presentation of Lasko’s highly original and attractive compositions, the book is a natural winner. The inclusion in several pieces of opportunities for children to improvise and compose takes the book to another level again, making it a truly essential addition to the childrens’ pedagogic literature.
In addition to Mike Cornick‘s new solo piano collection Ragtime Blues and more (which I recently reviewed here), Universal Edition have just published his latest collection for one piano, four hands: Elgar Favourites arranged for Piano Duet.
Once again, it’s a collection that’s well worth a look, so let’s take one…
The arrival of a new collection from the pen of composer and arranger Mike Cornick is always likely to be greeted with enthusiasm.
Cornick’s latest two publications are Ragtime Blues and more and Elgar Favourites (arranged for piano duet). The latter will be reviewed separately, while in this post I will be having a look at ‘Ragtime Blues and more’…
Ut Orpheus Edizioni (distributed by Universal Edition) have recently published a new urtext edition of Dussek’s catchily-titled The Sufferings of the Queen of France (for piano of harpsichord), subtitled in the original:
“A Musical Composition, Expressing the feelings of the unfortunate Marie Antoinette, During her Imprisonment, Trial, etc. The Music, adapted for the Piano-Forte or Harpsichord Composed by J.L. Dussek.”
Wiener Urtext Edition have, in recent years, made a particular effort to renew their editions of Schubert’s smaller-scale piano works, the two sets of Impromptus, Op.90 and Op.142, and the Moments musicaux op.94, a new edition of which has just appeared on the market.
Is this new version the definitive edition? Let’s see…