Willis Music’s ‘Strange Sounds’

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


With autumn well upon us, and a new school year firmly underway, many teachers and players will no doubt be looking for repertoire to enjoy as we approach Halloween.

Each year I am asked to recommend suitable music for the annual spook-fest, and for late elementary to early intermediate players, around UK Grades 2-4, a recent compilation of “10 Bewitching Piano Solos” from The Willis Music Company could be just the ticket.

Intrigued? Let’s tiptoe through the gate and investigate the secrets within…

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The Symphony: From Mannheim to Mahler

Selected and Reviewed by Andrew Eales
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With impeccable timing at the start of a new academic year, Faber Music have just released The Symphony: From Mannheim to Mahler, an accessible new guide written by Christopher Tarrant and Natalie Wild, which hopes (and in my view deserves) to become a standard text for A’ level and undergraduate students.

While not a piano book, this publication certainly merits the attention of any advancing pianist or teacher with an interest in the core classical tradition; as the dominant instrumental form from the mid-eighteenth century onwards, the symphony’s parallel development and symbiotic relationship with the sonata undoubtedly make an understanding of the former helpful for a full appreciation of the latter.

With that in mind, let’s take a look…

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Rendezvous at the Zoo

Selected and Reviewed by Andrew Eales
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Jennifer Linn is one of America’s most respected educational composers, authors and arrangers, with dozens of titles to her name. These include several collections of her own compositions, arrangements of music from popular shows, the Hal Leonard Piano for Teens method, and several award-winning classical editions in the Schirmer Performance library.

Many of Linn’s publications are best-sellers in the US, but most are less well-known here in the UK. Her latest publication is Rendezvous at the Zoo, and will certainly be of interest to anyone teaching children at early elementary level, regardless where in the world they are based… so let’s take a look!

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ABRSM: Pop Performer!

Selected and Reviewed by Andrew Eales
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There has long been speculation that at some point ABRSM would launch a pop piano syllabus, but they have perhaps sensibly resisted any call to do so.

The wide disparity and significant difference in approach taken by Rockschool Piano and Trinity Rock and Pop Keyboards illustrates the difficulty in creating a syllabus that is both helpful and true to the skills required by keyboard players in the contemporary commercial sphere.

Some forget, too, that the four Royal Schools of Music affiliated to ABRSM don’t offer specialist courses in this field. And then there’s the issue of copyright clearances: ABRSM simply don’t have access to the latest chart material without permission and significant cost.

Happily, ABRSM have now addressed this last hurdle by teaming up with Hal Leonard, the world’s largest sheet music publishers, who represent the rights to an unparalleled catalogue of commercial hits. It is certainly to the board’s credit that they can both recognise their own core strengths and collaborate with so prestigious a partner.

Enter Pop Performer!, two books of solo piano arrangements of contemporary pop standards and chart hits carefully graded for players from Initial to Grade 5 level. These striking publications look like the work of ABRSM, with songs arranged by examiners and looking little different to the pieces in their official exam repertoire books. But with Hal Leonard’s stamp equally evident in the songs, not to mention the inclusion of their online audio Playback+ software, it’s clear that this is an equal and exciting partnership.

Pop Performer! is neither a new syllabus, nor a hint that one is on its way. On the contrary, these are arrangements that can be played for enjoyment by those taking ABRSM’s traditional grades, and the board makes much of the important point that they can be used as ideal fourth pieces for their recorded Performance Grades.

In other words, what we have here is the option to include commercial popular hits, carefully curated, arranged and benchmarked, alongside and within ABRSM’s existing exam offer.

I’ll state upfront that I think this is a brilliant concept, am impressed with the books, and anticipate that they will be the most essential “must-have” purchase for piano teachers and students in this new academic year. So let’s take a much closer look…

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Piano Player • Classical Favourites

Selected and Reviewed by Andrew Eales
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Less than three months after Faber Music launched ‘The Piano Player’ (a plush new series of intermediate piano solo collections) with British Classics (reviewed here) they are back with the second instalment.

The Piano Player: Classical Favourites features “20 of the most popular pieces of classical music”, some originals but mostly arrangements. And in line with the signature style of this new series, the publication is beautifully presented sporting the lush artwork of Edward Bawden (1903-1989)…

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