Contemporary Piano – Page 2

Einaudi • The Summer Portraits

Selected and Reviewed by Andrew Eales
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Ludovico Einaudi is without doubt one of the most globally successful piano composers of our time. His latest single amassed a record breaking 2.5 million streams in a single day. His music is ubiquitous in film, television, and media. It is performed at your local school, and in the world’s most hallowed classical venues.

At the same time, Einaudi’s music continues to divide opinion. Some in the piano education community and classical establishment still dismiss his work as dull, derivative, poorly written, and even cast him as a charlatan.

In my article The Appeal of Einaudi’s Music, I explored what it could be that makes his piano recordings so widely and wildly popular, concluding:

“Music can occupy and fill many different spaces in our lives. Fundamentally, it can be truly accessible to us all. Einaudi’s compositions remind us that music does not always need to be intellectually supercharged, even though his pieces are cleverly and carefully crafted. Nor perhaps should we equate the best composition with a dazzling display of technical expertise, or the best performance with physical pyrotechnics. Great music can equally be driven by the flow of emotion, simple connection, and a quest for lingering beauty.”

If this seems a rather hyperbolic preamble for a sheet music review, it is in part because Einaudi’s latest album The Summer Portraits must be evaluated in the context of this larger cultural phenomenon. When he releases new material, it is always something of an event, but does his latest project meaningfully add to the larger narrative of his body of work?

Matthew Hindson • Sad Piano

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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Matthew Hindson is one of Australia’s most dynamic, successful, and widely-performed composers. His atmospheric soundworld is both immediate and direct, and his orchestral and ballet music have been performed by many of the world’s leading orchestras.

For his latest project, Hindson has turned to the piano. Sad Piano offers 13 captivating solo pieces, published last year by Faber Music, and recently followed by a recording featuring his compatriot, the pianist Andrea Lam.

I have been dipping into Faber’s handsome publication for several months, but with the arrival of Lam’s mesmerising recording, this is a perfect time to take a closer look…

Darren Day’s Belfast Heart

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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Darren Day is a pianist, teacher, and composer who is based in Belfast. I have previously recommended his easy piano Christmas arrangements, which were self-published. Since then, he has been picked up by 80 Days Publishing, who now bring us Belfast Heart, an excellent collection of 12 Traditional Northern Irish songs and original solos for piano.

Introducing this new collection, we are told,

“Escape to a world of jigs, sweeping mountains, winding roads and magical kingdoms as Belfast Heart transports you to some of the stunning scenery of Country Down and to the city where people are famous for being friendly and great ‘craic!”

Fasten your seatbelts and let’s check it out…

Jóhann Jóhannsson • Piano Works

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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Jóhann Jóhannsson (1969-2018) was an award-winning Icelandic composer, musician, and producer, who wrote music for a wide array of media including film, television, theatre and dance. With his passing in 2018, aged just 48, the world of music lost one of its brightest stars, still in the ascendent.

Faber Music celebrate this extraordinary talent with the publication of a new cloth-bound book, Jóhann Jóhannsson Piano Works, the subject of this review, in which they tell us,

“Jóhannsson’s work is characterised by a fusion of classical instrumentation and contemporary electronic elements and encompasses the diverse influences of Baroque, Minimalism, avant-garde and ambient music, as well as drone-based and electro-acoustic music.”

The book is undoubtedly a beautiful and important tribute.

Calming Piano Solos

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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Hal Leonard recently issued two editions (respectively offering 35 “Piano Solo” pieces and 19 arrangements for “Easy Piano”) of the unambiguously named collection Calming Piano Solos.

I can guess what some readers are thinking, and yes, I Giorni and Una Mattina are present and correct. But before you jump to the wrong conclusion and give up reading further, it’s worth noting that these books are something of a surprise, offering a wealth of fresh and appealing titles.

The first clue that these books would be different was, for me, the front cover promise which reads,

“…beautiful solos including:
The Approaching Night • Butterfly Waltz • Love’s Return • Sea Change • When Morning Comes • Winged Melancholy…”

Hmm, excuse my ignorance, but… say what?

Paul Birchall’s Daily Expressions

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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Fresh from the Elena Cobb Star Prize Festival event in London earlier this week, I am continuing my survey of the superb catalogue of piano music published by EVC Music, much of which I have previously reviewed here.

Among the publications which I have previously featured on this site, and a highlight of the EVC catalogue, I was super-impressed with Paul Birchall’s excellent Blues, Boogie, Jazz and more collection, several pieces from which appeared in the Star Prize Festival programme this year.

Birchall’s two collections of Daily Expressions, published a few years ago, make another worthy (if belated) addition to the Pianodao Music Library.

The Appeal of Einaudi’s Music

Pianodao Articles • Full Archive

Supporting Your Piano Pathway
Written by Andrew Eales

The inspiration for this article came from a discussion with my wife Louise, who is a clinical specialist in mental health; I am immensely grateful for her insights, which are peppered throughout.

I was recently amused by a message I received from a parent of one of my teenage students, who contacted me saying,

“I thought this might make you smile. Over the last 7-10 days I have never heard the piano practised so much. A beautiful piece which I am told is called Nuvole Bianche. When I enquired why I was hearing more practise I was told (and I quote) ‘it’s a proper piano piece’.”

It’s a story which I am sure could be echoed by many of my colleagues, both in communities up and down this country, and far beyond. And yet, many of my musician friends seem to regard Einaudi’s music with a sniffy contempt, a disdain that appears out of proportion to any offence it could possibly have caused.

In some cases this is undoubtedly rooted in a sense of injustice that he has enjoyed such commercial success from doing, in their view, so little.

More often perhaps, they are baffled that music so lacking in the complexity they themselves enjoy could be so highly prized by others. According to this view, Einaudi’s work is, at best, a gateway that might lead the uninitiated into the more rewarding musical territory that they inhabit, albeit a gateway they personally prefer to position themselves a very long way away from.

To adopt such a viewpoint is potentially to deprive ourselves of a deeper understanding of what it is exactly that makes Einaudi’s music so very appealing, and to so many. And if we can understand that, we might be better equipped to perform and teach Einaudi’s music with sympathetic intelligence, and more effectively decipher and communicate with audiences when promoting other music.

Alexis Ffrench: ‘Truth’

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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Alexis Ffrench’s star has continued to rise since my review of Hal Leonard’s Alexis Ffrench: The Sheet Music Collection a couple of years ago.

Last year Ffrench became Composer in Residence with Scala Radio. Readers may be still more interested in the recent announcement of his appointment as the new Artistic Director of ABRSM, the music examination board, a role of which he has enthusiastically said,

“I can’t wait to start working with ABRSM’s Chief Executive, Chris Cobb, and his wonderful team in service of teachers and learners all over the world!”

On the creative front, Ffrench recently released his latest album on Sony. Truth introduces thirteen brand new tracks, including collaborations with singer Leona Lewis, guitarist Jin Oki, and with the lush backing of a 70-piece orchestra.

According to the artist,

“In writing these pieces, as we were all locked down, I imagined what the world would look like if we all asked ourselves the question “who am I and what is my purpose in the world?” and what we, as a human race, could create and change together. Out of that intensely personal moment, and as a reaction to feelings I could barely fathom at the time, these songs were born – as an elegy to the audacity of hope.”

Hal Leonard have just published the official sheet music folio of all the tracks from the album in solo piano transcriptions, the subject of this review…