Supporting Your Piano Pathway
Reflection by Andrew Eales
“Musical focus is paramount.
So many pupils are concerned with technical problems divorced from their musical raison d’être. Their focus is solely on the hurdle and its insurmountability.
But the problems virtually disappear and the road opens when they are seen within a musical context. Even the most difficult passages, given musical motivation become not only approachable but achievable.”
Norma Fisher: International Piano, Sept/Oct 2010
So often as a teacher I come across players who “learn the notes” first, only later considering the expressive intentions of the music they are studying.
“For next week, why not try to add the dynamics…”
It’s certainly an easy trap to fall into: reading the notation, working out finger patterns, discovering the music with a systematic, segregated scheme in mind, rather than trying to “run before you can walk”.
And yet I always recommend that players try to pay attention to the dynamics, articulation and other expressive details as early as possible in the learning process. Adding these as an after-thought has always seemed to me a slightly odd way to do things.
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