Karen Marshall’s Piano Trainer Series for Faber Music, which includes The Foundation Pianist (with David Blackwell, reviewed here) and The Intermediate Pianist (with Heather Hammond, reviewed here), has reached its conclusion with the publication of The Advanced Pianist (Books 1 and 2, with Mark Tanner).
Taken as a whole, the complete series of seven books can be used as a core curriculum that can be interspersed with the eight grades of the UK examination boards, or used standalone by those not interested in taking exams.
In this review I will firstly take a look at The Advanced Pianist before drawing a few conclusions about the Piano Trainer series as a whole…
Philip Martin has long been well-regarded as one of our finest concert pianists, recording artists, pedagogues and composers, writing music that combines the influences of the folk music he grew up with, the British classical scene he trained in, and a longstanding passion for American classical and jazz music.
Now, in what must be regarded as a landmark publication, a retrospective collection of his more jazzy solo piano pieces have been published by Elena Cobb’s EVC Music Publications Ltd.
New York Nights offers the more advanced player a veritable “greatest hits” of Martin’s more accessible pieces, and promises to be an essential purchase.
While the best composers often write brilliant music in response to a commission or request, the creative impetus for composing will often arise from a specific moment of inspiration, musical or conceptual.
So it is with the latest scores from Nikolas Sideris, known to many not just for his own music, which includes Fairyland in Treble and Dusk of Day, Dawn of Night, but also for his Editions Musica Ferrum independent publishing house.
Due to a change in personal circumstance, Nikolas finds himself semi-moving from London to Amsterdam, and among other things this will mean that he will no longer be teaching his 18 students in one particular school. Having grown attached to them, Nikolas decided it a fitting gift to compose a piece dedicated to each of the students.
These personal gifts were no doubt enthusiastically welcomed by their dedicatees, but I think that they deserve a far wider appeal and use. Which brings us to “Personalities”, the two new solo piano collections containing these 18 pieces, now available from Musica Ferrum.
Radiohead hardly need any introduction. Since forming in 1985, they have established themselves as one of the most unique and admired bands in the world, selling more than 30 million albums and regularly topping listener and critical polls.
Australian pianist and teacher Josh Cohen will perhaps be a new name to some readers however, although he has garnered an impressive following of some 70,000+ followers on YouTube, drawn to his improvised solo piano arrangements of popular songs by Radiohead, Pink Floyd, Sigur Rós and David Bowie.
Now, thanks to Faber Music, 11 of Cohen’s arrangements are being published (with the approval of Radiohead themselves) in a beautifully presented collection.
Here’s Cohen explaining in his own words the journey that brought us this publication:
It’s my pleasure to review a lot of superb new piano music on this site, but rarely do I have the chance to hail a monumental masterpiece to compare with Fazil Say’s Troy Sonata.
The piece was recently recorded by the composer himself and released on his outstanding Fazil Say Plays Say CD from Warner Classics, which was highly praised as my Recording of the Month and reviewed here.
In that review I noted:
“There really is no doubt in my mind that the Troy Sonata is one of the most significant solo piano works of our current century.”
It is with therefore with genuine pleasure that I can also now tell you about the sheet music publication, brought to us by Schott Music…
I first reviewed Connections last spring as, then, a series of eight repertoire books offering a staggering 185 original compositions by the wildly popular educational composer Christopher Norton. First published for the North American market by Frederick Harris Music, the series had just been republished worldwide by Norton’s own in-house company, 80 Days Publishing.
Since writing my original review, Books 9 and 10 in the series have now been released, each including a further nine Christopher Norton originals suitable for advanced players.
In this review (which supersedes and replaces the original one) I can therefore offer an updated overview of the full series…
Few would argue with the statement that Haydn composed some of the most important and brilliant music in the Western classical canon. And the older I get, the more I am finding that his compositions (in a similar way to Bach’s) have the power to restore balance when I feel off-key, and enrich my days.
But Haydn’s music isn’t just for miserable old fogeys; I consistently find that even the youngest of my students quickly learn to enjoy his music more than most, its appealing melodies and jaunty, humorous spirit never far away.
Of course, children (and older beginners) can only make this discovery if teachers make a point of introducing Haydn’s oeuvre to their students. And Schott Music’s latest publications My First Haydn may be just the ticket for ensuring this happens.
The book joins Schott’s imaginative “My First…” series of music books, each featuring a major keyboard composer. I have previously reviewed My First Schumann and My First Beethoven and My First Haydn follows the same format to a tee, so do check those earlier reviews.
But for now let’s dig into this latest in the series…
Wiener Urtext Edition have, in recent years, made a particular effort to renew their editions of Schubert’s smaller-scale piano works, the two sets of Impromptus, Op.90 and Op.142, and the Moments musicaux op.94, a new edition of which has just appeared on the market.
Is this new version the definitive edition? Let’s see…
I should preface this review by saying that, disappointingly, in the last couple of years I have too rarely found time to start reading a good novel, and even less frequently succeeded in finishing one.
The Waco Variations, written by the American pianist and writer Rhonda Rizzo, kept me up late into the night, and demanded to be finished! Perhaps no further recommendation is needed!
However, you probably want to know more about what makes this such a great read, so…