Sheet Music Reviews

Classics for Ten Fingers

Educational Resources
Selected and Reviewed by Andrew Eales

Over the last couple of years, OUP Music have done a stellar job of thoroughly updating, revising, and giving a fresh new look to their beloved Piano Time series and Tunes for Ten Fingers books, refreshing the musical content of the existing bestsellers and adding additional titles to reinvigorate the range.

When I first heard of the latest title, Classics for Ten Fingers, I wasn’t immediately inspired, imagining it to be a collection featuring dull arrangements of the usual classical hits, but I’m happy to report that the book has far exceeded my initial expectations.

Written by Michael Higgins (who also brought us the excellent Christmas for Ten Fingers) and published by OUP Music, Classics for Ten Fingers is billed as A first piano book of easy classical pieces with accompaniments, and is a beautifully presented, colourful collection full of unexpected musical surprises.

In fact, it is so good that it’s not just a must-have for existing users of the series, but could equally entice those who prefer other methods but want to expand their beginner resources to include a wide and diverse range of great piano composers from previous generations…

The Piano Scale Book

Educational Resources
Selected and Reviewed by Andrew Eales

When I reviewed Ben Andrew’s first three graded Piano Scales Books a couple of summers ago, I wrote in my conclusion:

“Ben Andrew and Hal Leonard must surely be congratulated for bringing so useful and innovative a new approach to a crowded market, and one which so uniquely supplements those already available… I suspect that for many beginners, Ben Andrew’s Piano Scale Books could transform the early stages of scales learning for the better.”

Now Hal Leonard have published his complete version of The Piano Scale Book, a manual that applies his unique visual approach to learning scales and arpeggios across every major and minor key (up to six sharps and flats).

To understand his method, you need to read my main review here, and I won’t repeat the same content again. Rather, in this review I will look specifically at the new complete manual and comment on anything that is new or different…

Paul Harris: Play with Rhythm!

Educational Resources
Selected and Reviewed by Andrew Eales

While Pianodao has featured several books and series by my friend Paul Harris (you can explore my other reviews here), I can only scratch the surface of the more than 500 publications already to his name.

Harris’s latest looks set to become another classic, a standout publication that superbly fills a gap many of us didn’t quite realise existed.

Play with Rhythm! is billed as “a workbook for developing a sense of pulse, rhythm, and counting”, suitable for musicians of any instrument or genre, and can be used in individual or group lessons, or on your own at home. According to the publishers Faber Music,

“Suitable for players of Grade 2 (Elementary) level upwards, this practical workbook takes students step by step through a series of simple activities that will develop a real understanding of rhythm and awareness of pulse.”

Having perused a draft some months ago, and now the finished product, I think that this winning publication will quickly establish itself as an essential resource, so let’s take a closer look.

The Easiest Gillock Pieces

Pianodao Music Library
Selected and Reviewed by Andrew Eales

When I compiled the Graded Gillock series for The Willis Music Company, a decision was made early on to focus on three books covering Grades 1-6, two grades per selection. You can read about those collections here, which have already become popular with teachers and students alike.

William Gillock (1917-1993) also composed a wealth of music for beginners, so it is a special joy to welcome a new collection from Willis Music. The Easiest Gillock Pieces brings together a careful selection of 31 of his pieces for pre-Grade 1 players.

This new collection complements the Graded Gillock series by covering the earlier stages of learning and opening up the prospect of players discovering the composer’s beginner music.

Better still, it includes brand new duet parts: optional accompaniments which have been newly composed by Gillock’s famous protégé Glenda Austin, whose own music I have reviewed here. So is this now an indispensable book for younger beginners?

Pianoworks • Meditations

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Janet and Alan Bullard’s Pianoworks series of older beginner books have long been a staple within my teaching studio. The two method books provide a solid introduction to musical understanding, piano technique and creative musicianship, while the supplementary repertoire collections are among the most popular I have ever used, whether alongside the method or independently.

It’s been a while since the series expanded, but the Bullards are back with a new collection, sporting a fresh new look which I am told will be adopted by the whole series as each title goes to reprint. According to the publishers,

“Pianoworks Meditations is a brilliant collection of gentle and reflective pieces for the older beginner. Written with a focus on playing for enjoyment, these 24 original pieces guide the player through a range of styles, while aiding in relaxation and mindfulness.”

Having played through the collection I am happy to confirm that they are as beautifully crafted as the original music which the Bullards previously sprinkled throughout the Pianoworks series, but let’s take a closer look…

Dora Pejačević • Early Pieces

Pianodao Music Library
Selected and Reviewed by Andrew Eales

The Schott Student Edition series continues to expand, offering outstanding new collections of pedagogy classics and rediscovered gems. I have reviewed several previous titles here, and was delighted to recently receive a superb addition to the set: Dora Pejačević: Early Piano Pieces.

By happy synchronicity, I was teaching at The Thinking Pianist course just a few days after the Schott Music volume landed in my postbox, and during the week my faculty colleague and friend Ivana Gavrić gave an illuminating lecture recital introducing Dora Pejačević.

Having commercially recorded and performed the music of her famous compatriot, Ivana has a natural affinity with Pejačević’s music, promoting it with sensitivity, balanced enthusiasm, and retelling the story of this formidable Croatian cultural icon. Having packed Dora Pejačević’s Early Piano Pieces for the trip, we were able to discuss this new volume, and I am indebted to Ivana for her insights.

Meanwhile, introducing the Schott Music book, its editor Monika Twelsiek (who has previously brought us many outstanding publications in the Schott catalogue) tells us,

“Dora Pejačević (1885-1923) is a star in Croatia: streets, schools and cafés are named after her, there is a perfume and a sparkling wine bearing her name, and a statue named ‘Dora’ is awarded at the Croatian national selection for the Eurovision Song Contest. Outside Croatia, however, the composer only became known late. After having been forgotten for many years, her works did not reach the public until the 1980s…
Who is this woman?“

Arise and Shine

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Back in 2023 I reviewed two collections of Piano Music of Black Composers compiled by the American performer, scholar, and educator Leah Claiborne for Hal Leonard’s Expanding the Repertoire series.

The two books offered a varied and engaging, if in hindsight slightly inconsistent, potpourri of little-known music by Black composers, and at the time I concluded,

“It’s a great pity that this fabulous pedagogic repertoire hasn’t been a standard feature of our piano education culture, and Leah Claiborne has done us a superb service in providing these slender volumes. We must hope more will follow.”

More has indeed followed, and I was delighted to receive Claiborne’s latest anthology, Arise and Shine, which offers 28 piano solos by Black composers suitable for intermediate to early advanced players (I would estimate UK Grades 2-8).

Jason Sifford • Here Be Dragons

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Jason Sifford has established himself as one of America’s most respected composers of educational piano music, and a jewel in the crown of music publishers The Willis Music Company.

Promoting his music more widely, I wrote a rave review recommending his two KEYBOP books when they appeared, and subsequently selected three of his pieces to appear in my Willis Student Recital Collection.

Introducing Sifford’s lavishly illustrated new collection, Here Be Dragons, Willis Music write,

“Cultures from around the world tell of thrilling tales and legends about magical flying creatures. This intermediate piano collection was inspired by these fantastical beasts and aims to provide performance material and adventurous music-making for all pianists with vivid imagination.”

This new collection is billed as suitable for Intermediate to Early Advanced players, and sounds exciting, so let’s brave ourselves and take a look…