Jakub Metelka’s Modern Piano Studies is an educationally useful and thoughtfully produced collection of 30 miniature pieces which address aspects both of technique and notation-reading at upper intermediate level. The book is certainly novel, and may have what it takes to establish itself as a contemporary classic in the pedagogy literature…Continue reading Jakub Metelka: Modern Piano Studies
I recently reviewed the Rockschool 2019 Piano syllabus (please refer to that review here), and now have the opportunity to tell you about an alternative I mentioned in that review, offered by Trinity College London’s Rock & Pop Keyboard exams.
The disclaimers I made when reviewing Rockschool equally apply here: I haven’t entered myself or a student for the actual exams, and this review is based on the syllabus, publications and resources.
I also had the chance to chat to Trinity’s Head of Product Management Julia Martin and Product Support Manager for Music Govind Kharbanda, to whom I am most grateful for talking me through their syllabus and answering my plethora of questions.
As we shall see, the Trinity Rock & Pop offering has much in common with the Rockschool Piano syllabus, but there are also some significant points of departure. Together they occupy a unique space in the market; comparisons are inevitable, but I will aim to keep them for my conclusion!Continue reading Trinity Rock & Pop Keyboards
Knighted by the Queen in 2015, Sir Karl Jenkins is established as one of the most performed living composers in the world, his music instantly recognised by anyone who takes even a casual interest in contemporary culture.
In this, his 75th birthday year, Jenkins celebrates his astonishing career with Karl Jenkins: Piano, a new recording from Decca Records with an accompanying sheet music collection published by Boosey & Hawkes, which is the subject of this review.
According to the publishers, Karl Jenkins: Piano offers,
“Intimate and spiritually uplifting classics reimagined for solo piano, including Adiemus, Cantilena, Benedictus, Palladio, Ave verum, And the Moster did Weep and In paradisum. Also included are original piano solos Quirky Blue and Canción plateada, plus White Water, specially composed for the album. Recreate for yourself the mystery, pathos and enchantment of these iconic sounds.”
But to what extent can the mystery, pathos and enchantment of Jenkins’ music actually be realised in simple piano arrangements? Let’s find out…Continue reading Karl Jenkins: Piano
Carl Maria von Weber (1786-1826) was one of the significant pioneers of German Romanticism in music, chiefly remembered for his operas Der Freischütz, Oberon and the popular Invitation to the Dance.
Weber was also a brilliant pianist who composed four Sonatas, several shorter solo pieces, two Concertos, the Konzertstück in F minor for piano and orchestra, and considerably influencing successors such as Mendelssohn and Liszt.
Though not as universally known as those of his contemporaries Beethoven and Schubert, Weber’s four Sonatas have found a continuing place in the repertoire, and have been championed by leading concert artists such as Artur Schnabel, Claudio Arrau, Sviatoslav Richter, Emil Gilels, Leon Fleischer, Hamish Milne and Paul Lewis.
They have been less-well served in print however, an oversight which Schott Music hope to rectify with the publication of their new, affordable single-volume edition.Continue reading Weber: The Piano Sonatas
Faber Music’s numerous piano anthologies have established themselves not only as enticing collections of sought-after pieces, but as a barometer of trends in the piano world.
The newly issued Peaceful Piano Playlist exemplifies this perfectly, offering a selection of relaxing classics and “new classical” pieces that will no doubt have huge appeal to teenagers and adults who play for pleasure and to relax.
If the title (and image above) already appeal, there’s a good chance that you will enjoy this publication immensely. So let’s take a closer look (and listen)…Continue reading The Peaceful Piano Playlist
I’ve seen a number of good music teachers recommending Samantha Coates’ How to Blitz ABRSM Theory book on forums, and having obtained a set to take a closer look myself, I can see what all the fuss is about.
I met and interviewed Samantha Coates at this year’s Music Education Expo show in London, and she explained that in Australia, her homeland, the incumbent theory books she grew up with were (ahem!) rather dry.
Her criticisms surely apply equally here in the UK, where the official exam-board workbooks can similarly suck the joy out of a lesson, and have a surprising ability to make a bus timetable from 1976 look like a relatively exciting proposition.
Coates found a solution by producing her own course:
“What I wanted was an alternative, a theory book that essentially had the same content as this other boring book that I grew up on, because it was written for the same syllabus. So I just thought, there’s got to be a more hip and groovy alternative.
I wanted a text that was conversational and user-friendly, and light-hearted, and in language that is not formal…
“I think the word “somewhat” should never appear in any child’s tutor book! I just wanted it to be much more casual.”
You can read the full interview here.
Happily, with publisher Chester Music on board, she has brought out adapted versions for the UK market, tailoring the content to match the requirements of our leading exam board.
So let’s find out just how different the How to Blitz ABRSM Theory books are. What distinguishes them from the official alternatives, and what are their advantages? Importantly, have they succeeded in making music theory more relevant and interesting for piano players?Continue reading How to Blitz ABRSM Theory
At the peak of his success in the 1870’s, Joachim Raff (1822-1882) was one of the most celebrated composers in the world, his eleven symphonies popular in concert halls across Europe and beyond, his marvellous body of solo and four-hand piano music a staple of the repertoire.
And yet, but the time of his death a few years later, his star was already in decline, his fall from fashion remarkably rapid. His music languished largely unperformed through the twentieth century, and is only now being properly reappraised, enjoying something of a revival.
Of Raff’s 216 works with opus numbers, 117 are works for piano solo, 54 for four-handed piano, and 23 piano arrangements of works by other composers. Concert pianist Tra Nguyen has led the charge to rediscover some of this extraordinary music, her stunning recordings revealing the quality of Raff’s writing and once again elevating him to a position alongside Brahms and his contemporaries.
Nguyen’s recordings for Naxos’s Grand Piano label are available to stream via the major platforms, and can be bought as a budget 6CD set from Amazon UK here. They are well worth exploring!
Introducing his new scholarly urtext edition of Raff’s three Piano Sonatas, recently published by Edition Breitkopf, Ulrich Mahlert suggests:
“It was precisely the enormous scope of Raff’s creativity that was one of the reasons why his works were not paid so much attention, because a differentiated engagement with so many compositions is time-consuming. The disregard of abundance went along with generalised, stereotypically repeated negative judgments, obscuring the view or even preventing dealing with Raff’s music at all. Thus, an unfortunate cycle of ignorance emerged which we hope that the present edition can help overcome.”
With that goal in mind, let’s consider Mahlert’s new edition of the Piano Sonatas.Continue reading Joachim Raff’s Piano Sonatas
Melanie Spanswick’s Play it Again: Piano series launched with two books published by Schott Music back in 2017. At the time, I heaped praise on those books, and I have subsequently used them with adult “returners” who have also loved them.
Now, with a third book joining the series, it’s time for another look. This new review covers all three books in the series, so let’s dig in…Continue reading Play it Again: Piano
Alison Mathews is a contemporary British composer whose delightful piano music has established itself as one of the highlights within the growing Editions Musica Ferrum catalogue.
Alison’s latest collection is aimed at the early advanced player. Landscapes: Poetic Piano Solos consists of 14 original compositions that would suit players between around UK Grade 5-7 level. Let’s take a look (and a listen!) …Continue reading Alison Mathews: Landscapes
Paul Harris’s series of A Piece a Week books have been appearing at regular intervals over the last three years. As Faber Music now bring us the Grade 5 book, it seems appropriate to consolidate my thoughts into a single review.
I’ll start with a reminder that the books appear within the best-selling ‘Improve Your Sight Reading’ series. That said, these are not sight-reading practice books per se. While useful in the practice of sight-reading as a discrete skill, the books aim to assist in the broader development of music literacy.
In the review which follows, I will first explain the concept behind A Piece a Week, before then commenting on the actual material included in the books, including a few observations about their effectiveness based on my extensive use of them within my own studio.Continue reading Paul Harris: A Piece a Week