Boosey’s Bartók Bonanza

Sheet Music Review

Along with their outstanding new version of The First Term at the Piano – which I recently reviewed here – Bossey & Hawkes (in conjunction with Hal Leonard) have just released a couple more Bartók collections: a complete edition of For Children, and the Bartók Piano Anthology.

Here’s a look at each of these additions to the Bartók catalogue…

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NEW Piano Music from Breitkopf & Hārtel

Sheet Music Review

Over recent months, esteemed and enterprising German music publishers Breitkopf & Hārtel have unleashed a succession of interesting new piano sheet music publications, and in this group review I’m going to introduce you to the whole lot:

  • Ulrich Mahlert (editor): Spielbuch für Klavier
  • Friedrich Grossnick: More Catchy Tunes
  • Luis Zett: Busy Lizzy & Lazy Daisy
  • Alexey Shor: Childhood Memories
  • Martin Reich: Primo & Secondo  (4 hands)
  • Manfred Schmitz: Jazz Parnass  (6 hands)
  • Jairo Geronymo: 4 Prima Vistas  (2 pianos, 4 hands)

Here goes…

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First Term at the Piano

Sheet Music Review

Bartók’s Mikrokosmos has – since the first half of the 20th century – been a potent force in the pianist’s repertoire, hugely impacting pedagogy worldwide, while his charming collections of pieces For Children have delighted elementary to intermediate players of all ages. But what of his other little collection, The First Term at the Piano?

Largely overlooked, except as a curiosity for completists to consider, this seemingly innocuous sequence of 18 short pieces has passed under the radar of most piano teachers, and even though some of the pieces are brilliantly inventive and melodic, they have too rarely surfaced in other collections, exam syllabi or student performances.

Now the US-based pianist, teacher, lecturer and editor Immanuela Gruenberg is looking to turn the tables, resurrecting this work for a new century, and for a new audience.

Her stunning new edition of the pieces – which comes with complete commentary, imaginative lesson plans, and a series of online videos – has recently been published by Hal Leonard in association with Boosey & Hawkes. And as we shall see in this review, it is a genuine must-have purchase for anyone who teaches beginners.

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Christopher Norton’s ‘Jazz Piano Sonata’

Sheet Music Review

Christopher Norton’s educational piano music – from the bestselling Microjazz series for beginner and elementary players through to his acclaimed series of Preludes Collections (the most recent of which I have reviewed here – Eastern Preludes and Pacific Preludes) his music has delighted millions of players and listeners of all ages around the world.

It’s great to be presented with a more substantial work from this ever-popular contemporary composer: the Jazz Piano Sonata follows the traditional three-movement form, and is a significant concert work for the advanced pianist.

Jazz-Piano-Sonata

Originally written for, and premiered by US pianist Jovanni-Rey de Pedro in 2013, the work has been performed in several countries already, and is now published by Christopher’s own company 80dayspublishing, courtesy of Boosey & Hawkes.

Continue reading Christopher Norton’s ‘Jazz Piano Sonata’

Improve your sight-reading!

Sheet music Review

“When pupils can sight-read, not only do they do well in exams but (rather more importantly) it allows them to learn pieces more quickly, which frees up much of our teaching time, allowing us to concentrate on developing the musician. Ultimately, it gives them independence: they are able to learn music on their own – the greatest gift we can give.”

So says best-selling author Paul Harris in the introduction to Improve your sight-reading: Teacher’s Book – latest addition to his ever growing Improve Your Sight-Reading series, just published by Faber Music.

Written to work alongside the well-known, long-published Improve your sight-reading ‘pupil’ books, the Teacher’s Book mirrors the introduction of keys and concepts in those, as well as offering useful tips for teachers.

Most important of all, the Teacher’s Book includes dozens of new progressive practice tests for each of Grades 1-5, which can be used in lessons to complement the use of the pupil books for home practice.

As such, the book offers the potential to elevate what was already a great resource into a more complete sight-reading system which bridges both lesson and home use.

Let’s find out how well it succeeds in this aim…

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At the Piano: Mozart

Sheet Music Review

Ask any classical performer to name which edition of the core repertoire they most highly regard both for daily use and as an authoritative Urtext Edition, and the name G. Henle Verlag will be at or close to the top of their list.

In their own words:

“Musicians need to be able to rely on their sheet music. This should be undistorted, free of errors, practical and durable. This is exactly what we provide. We call it Henle Urtext. Musicians around the world, both amateurs and professionals, know us.

Unlike the other music publishers, we have concentrated almost exclusively on producing Urtext editions of the great “classical” compositions ever since Günter Henle founded our company in 1948. As the world’s undisputed leader in this premium class, we have the most know-how about Urtext as well as the most comprehensive Urtext catalogue, comprising 1.000 titles to date.”

To this extensive catagloue, Henle recently added a new series of publications specifically aimed at those “returning to the piano”. That series, ‘At the Piano’ is happily now available in English.

According to the publisher:

  • Each volume includes original pieces by one composer.
  • The works are arranged in progressive order of difficulty (from easy to medium level).
  • The works complement one another conceptually.
  • The length of the pieces ranges from one to eight pages.
  • The works contain fingerings and practical tips on technique and
    interpretation.

There’s even this promotional video:

There are 12 volumes in the series, each focussing on the music of one core composer, and for this review I will be focussing on the Mozart volume in the series.

Details of the rest, including the lists of pieces they include, are on the Henle Verlag website here.

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Martha Mier: “Jazz Suite in Color”

Sheet Music Review

Martha Mier is undoubtedly one of America’s finest educational composers.

Best-known in the UK for her Jazz, Rags & Blues and Romantic Impressions series, she is also a co-writer of the Alfred Premier Piano course (the new Express version of which I plan to review here soon) and composer of several other collections and stand-alone works.

Hot off the press, Jazz Suite in Color (don’t blame me for the spelling here!) joins Alfred Music’s growing Recital Suite Series aimed at intermediate players – in terms of the UK grades, these pieces are around Grade 4 level.

Let’s take a look…

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“Unsent Love Letters” (Elena Kats-Chernin)

Sheet Music Review

Elena Kats-Chernin’s new collection of 26 pieces, titled Unsent Love Letters, has recently been published by Boosey & Hawkes, with a full recording by concert pianist Tamara-Anna Cislowska released worldwide on the Deutsche Grammophon label.

In this review I will be considering both products and reacquainting myself with the music of one of my favourite living composers…

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