Category: Sheet Music Reviews

Penelope Roskell • Essential Piano Technique

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Few aspects of piano playing seem to divide opinion on forums as much as healthy technique: what it is, how, and when to teach it. Happily, anyone who is looking for clear, authoritative answers to these questions can find them aplenty in the milestone (and mammoth) book The Complete Pianist, which I reviewed here when it appeared in 2020.

The author of that definitive and award-winning book is the concert pianist and expert teacher Penelope Roskell, a world-leader in the field of injury-free piano playing, and Piano Adviser to the British Association for Performing Arts Medicine.

Having so plainly and comprehensively shown us what an essential, healthy piano technique looks like in her previous book, Roskell is now back with an attractively presented series of three books aimed at younger beginners and their teachers. Her new Essential Piano Technique books are certainly unlike any previous children’s piano series I have encountered…

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Uplifting Piano Solos

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I recently reviewed a series of seven books of arrangements of popular religious songs by Glenda Austin, an esteemed pedagogue, composer and arranger from Missouri USA. As I mentioned in my conclusion to that review, Solos for the Sanctuary offer their own masterclass in how to take a simple melody and create an engaging piano solo, rich in musical substance.

Now Austin is back with a brand new secular collection from The Willis Music Company. Uplifting Piano Solos offers “ten inspiring arrangements” suitable for intermediate to early advanced players, and I would suggest that the collection would suit players at around UK Grades 5-7 level.

I am thrilled to welcome this, a collection that showcases Austin’s brilliant skill to a potentially broader audience. So let’s take a quick look…

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Mike Cornick • A Piano Sketchbook

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Mike Cornick has a long-established reputation as the master of what might once have been called “light music”: easy-going melodic pieces offering a smooth blend of classical, jazz and popular styles, equally accessible to player and listener alike.

I have previously reviewed many of Cornick’s publications, including the more jazzy collections Blues in Two and more, Ragtime Blues and more and Six Jazz Piano Solos, as well as his duet collections Elgar Favourites and Dinner for Two, titles from which you will probably already have deduced Cornick’s musical versatility and the basis of his significant mainstream appeal.

Cornick’s latest collection is called A Piano Sketchbook, and offers a pot-pourri of six assorted intermediate piano solos in a range of jazz and Latin styles…

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Krystyna Gowik: Fives for Piano

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MUSIC FROM CHOPIN’S LAND
In 2020, I was commissioned by PWM Edition to record five films showcasing educational piano music by Polish composers. Captivated by my new musical discoveries, I have continued to independently explore and review the music of Chopin’s land…

Since visiting the Kraków headquarters of Polskie Wydawnictwo Muzyczne (PWM Edition) to make a series of educational films back in 2020, I have been continuing my deeper dive into the educational piano music of Poland, discovering some fascinating and often enchanting gems along the way.

When reviewing PWM’s many excellent publications on Pianodao, I have of course been aware that they are rather “niche” in terms of the UK market, most of the composers being relatively unknown outside their homeland. There are exceptions: Feliks Rybicki and Janina Garścia being obvious examples of Polish educational composers whose music has circulated widely.

Krystyna Gowik deserves a spot on that list. When I discovered My Little World and My Favourites, both collections reviewed here (including my film introducing them), I was immediately struck by the appeal and pedagogic quality of her music.

Gowik’s latest collection is called Piątki na fortepiano, in English, Fives for Piano. The book is aimed at relative beginners, and contains 25 new compositions which are all written in five-note positions, but in a surprising range of keys and modes…

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Naoko Ikeda • The Graded Collection

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Following the success of my series of three Graded Gillock collections published by Willis Music last year, I was delighted to be asked to compile a companion collection showcasing the wonderful music of Japanese composer Naoko Ikeda. The collection, now available from Willis Music, can be purchased from the Musicroom website here.

Naoko Ikeda: The Graded Collection includes 24 of Ikeda’s best solo piano pieces, organised in approximate order of difficulty and appropriately grouped according to the UK Grade system from Grade 2 to Grade 5 level.

These stunning pieces would make wonderful selections as “own choices” in Performance Grades, and with six pieces for each of the four grades covered, they provide a rich feast to enhance the player’s development throughout their intermediate playing years.

The pieces have been chosen to offer a flavour of the musical range of this fine composer, ranging from jazz and pop ballads to emotive pieces infused with the musical language and imagery of Japanese culture.

In the introduction that follows I will offer background to the collection in greater depth, as well as including my own piano recordings of 8 of the 24 pieces, which give a varied, representative preview of the collection.

You will also hear from Naoko Ikeda herself, as she shares about her creative journey in her own words…

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Eugénie Rocherolle’s Romantic Stylings

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Widely respected as a leading contemporary American composer of piano repertoire, Eugénie Rocherolle was born in New Orleans in 1936. A music graduate of Tulane University (Louisiana), she spent her Junior Year in Paris, where she attended classes with Nadia Boulanger.

Rocherolle has composed works for solo voice, chorus, orchestra, musical theatre, and chamber music. Success as a piano composer came with the publication of her first solo collection in 1978, since when she has added dozens of educational and recital works to her catalogue, many now appearing in The Eugénie Rocherolle Series from Hal Leonard.

Though less well known here in the UK, Musicroom nevertheless list more than a hundred piano publications, many of which comprise Rocherolle’s arrangements of popular, film and show tunes. Now in her 80’s, she still composes original music too, and a new collection is imminent.

In this review, I revisit her most recent (at the time of writing) collection of original pieces. Appearing in 2019, Romantic Stylings offers 8 original piano solos suitable for the intermediate player.

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Piano Music by Women Composers

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After several decades in which music by women composers was largely overlooked by those compiling piano anthologies, concert programmes, exam and festival lists, the recent renaissance of interest can be warmly welcomed as a necessary recalibration, and one which continues to bring to light many wonderful treasures.

Gail Smith’s pioneering Women Composers in History anthology (2013, Hal Leonard, available here) paved the way for more recent collections from Melanie Spanswick (reviewed here) and Karen Marshall (reviewed here). These ‘voices in the wilderness’ certainly piqued our interest, introducing piano enthusiasts to many names that we had been unaware of.

If those collections were the harbingers of change, two new anthologies compiled by Immanuela Gruenberg (again published by Hal Leonard) deliver a confident musical consummation of that promise, a tour de force of truly stunning classics.

Delivered with mature confidence and polished professionalism for a mass global market, these slick collections herald a watershed moment. Join me as I discover Piano Music by Women Composers…

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The Cinematic Piano Playlist

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Faber Music’s Piano Playlist series is developing at pace these days. After the success of the first book, published in 2019 and reviewed here, the Christmas Piano Playlist appeared in late 2022, reviewed here, followed just weeks ago by the Peaceful Piano Playlist Revisited, reviewed here.

Now, hot on those heels, they have yet another title joining the series. The Cinematic Piano Playlist promises,

“Over 30 incredible themes from the biggest film soundtracks, games and television shows, all arranged for intermediate piano.”

Let’s find out what the collection delivers…

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The First 50 Chords

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Hal Leonard’s First 50 series has been a popular success, offering bumper collections which each include 50 very simplified arrangements of songs ranging from jazz standards to West End hits, TV favourites and more.

I often advise players to adapt such “easy piano” arrangements to include authentic rhythms by ear, and amplify what is on the page by turning to the chord symbols. Happily, such symbols are included throughout the First 50 series, although for beginners approaching this material they, too, may seem a foreign language.

Wouldn’t it be good if there was a simple primer introducing all the basic chords in a logical sequence, linked to their use in well-known songs?

Well now there is. Written by Alistair Watson and joining this growing songbook series, First 50 Chords You Should Play on Piano recently landed from Hal Leonard, and could well prove to be more than just a useful supplement to the songbooks in the series…

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Chopin • Etudes Op.10

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I think it is fair to say that Chopin’s Etudes Op.10 are, along with the second published set Op.25, among the few genuinely iconic works within the piano repertoire. An expected requirement in music conservatoires, a mainstay of Licentiate Diploma syllabi and competition programmes, they are comfortably ensconced alongside Bach’s Well-Tempered Clavier and Beethoven’s Sonatas at the core of the standard professional repertoire.

As such, these twelve marvellous concert studies hardly need introduction; Roy Howat’s freshly published edition, however, does. The latest arrival in Edition Peters’ Complete Chopin: New Critical Edition, this is a publication which will be of interest and importance to all students of the work, and is the focus of this review.

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The Restoration of Samuel Coleridge-Taylor

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The piano music of Samuel Coleridge-Taylor (1875-1912) is surely one of the great treasures of the solo repertoire, too long overlooked but now rightly being rediscovered and brought back into the spotlight.

Schott Music, who published many of these works during the composer’s lifetime, have begun painstakingly re-releasing Coleridge-Taylor’s output in modern performing editions. Among the piano scores restored to the Schott catalogue, and the subject of this review, are the Three Humoresques Op.31 (1898), Three Cameos Op.56 (1904), and (perhaps best-known), Three Fours: Valse-Suite Op.71 (1909).

These pieces all offer wonderful examples of Coleridge-Taylor’s art, and would suit players at around UK Grade 8 to Associate Diploma level. So let’s take a closer look, and reflect on their value…

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A Dozen A Day • All Year Round

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Edna-Mae Burnam’s six books of technical exercises, A Dozen A Day, quickly established themselves as classics in the piano pedagogy literature, and in the decades since their first appearance back in the 1950’s, their short routines and iconic illustrations have found their way into the hearts (and fingers) of developing pianists around the world, selling some 25 million copies.

In her introduction to the books, Burnam gets straight to the point in explaining the value of A Dozen A Day:

“Many people do exercises every morning before they go to work. Likewise, we should all give our fingers exercises every day BEFORE we begin our practising.”

The joy and the genius with which the book’s famous and ever-popular stick characters convey this message cannot be overstated, and is a testament to the book’s enduring appeal and generation-busting brilliance.

I have been using these little books with my students since I first started teaching in the 1990’s, and although they have featured less prominently in my studio in recent years, they continue to make their appearance, and offer a hugely useful resource which can be used from the very first lessons, and right up to advanced level.

Encouraging a fresh look, publishers Willis Music brought out a bumper edition back in 2017, which I am going to be focusing on in this review. A Dozen A Day: All Year Round offers additional attractions for teachers, which I will outline, but I would still steer students towards the individual books, appropriate for each level.

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The Jazzin’ About Anthology

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When I began teaching in the 1990’s, Pam Wedgwood’s Jazzin’ About books were very much the rage, the latest thing that every student wanted to play. The series (as it then was) comprised just a handful of books, but over the years it has burgeoned and in the process clocked up more than half a million sales. Wedgwood’s pieces have become perennial favourites.

Latest addition, The Jazzin’ About Piano Anthology, brings together 41 of Pam’s favourite pieces from across the series, presented progressively in one volume from early elementary to intermediate level (UK Initial to Grade 5). Publishers Faber Music tell us that the book includes six new pieces specially composed for this edition, plus duets and online demonstration audio performed by the composer.

“So take a break from the classics and get into the groove as you cruise from blues, to rock, to jazz!”

Let’s dig in…

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Solos for the Sanctuary

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For any who are unfamiliar with Glenda Austin’s work, she is a prolific composer and superb arranger from Missouri USA, whose work is published by the Willis Music Company, distributed by Hal Leonard.

With vast experience as a church musician, Austin has been making arrangements of classic hymns and worship songs since she was a teenager playing in a small Baptist church. Today, she continues to play for the United Methodist Church in her hometown, Joplin.

Austin’s Solos for the Sanctuary series launched with Hymns and a Christmas collection more than a decade ago. Aimed at “the Church Pianist”, these books delivered arrangements suitable for advanced players (around UK Grades 7-8) to include as musical interludes in services as appropriate.

Further collections soon appeared, becoming a popular strand of Austin’s output alongside her educational work. Spirituals (2011), Worship (2012), Gospel (2014) and Hymns 2 (2019) have now been joined by Seasons (2023), prompting this review looking back at the series.

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John Williams • The Fabelmans

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“Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret, and explores how the power of films can help him see the truth.”

Steven Spielberg’s critically acclaimed 2022 movie The Fabelmans, loosely based on his own adolescent years, was nominated for seven Oscars, including Best Achievement in Music Written for Motion Pictures (Original Score). That score, composed by the peerless John Williams, is now available transcribed for piano solo from Hal Leonard.

Suitable for players at late intermediate to early advanced level, the sheet music folio is the subject of this review.

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The Intermediate Piano Sonata Collection

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The Intermediate Pianist is an award-winning set of three books co-written by Karen Marshall and Heather Hammond, published by Faber Music in 2017. They launched Marshall’s Piano Trainer Series, which grew to include the Foundation Pianist (with David Blackwell, 2018), the Advanced Pianist (with Mark Tanner, 2019), and supplemented by the Piano Trainer Scales Workbook (2021).

Between them, these eight books deliver a fully self-contained curriculum for piano players from elementary to advanced level, but they have now been joined by another important supplementary book. The Intermediate Piano Sonata Collection has been written, compiled and edited by Marshall, and the publishers tell us,

“This collection gathers together nine complete sonatas that are all intermediate to early advanced (Grades 4 to 6) in standard. Featuring works by Beethoven, Anna Bon, Haydn, Mozart and Robert Schumann, it provides the highest quality of music and many years of study. Each sonata is accompanied by a live recording, background information, playing tips and musicianship activities; students are also encouraged to use the Sonata Music Map to analyse each work in detail themselves.”

Let’s start to unpack all this…

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Discovering Burgmüller

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Burgmüller’s three collections of piano etudes, Op.100, Op.105 and Op.109 have been cornerstones of the piano pedagogy literature for over a century and a half, and remain as popular today as ever.

In this short article I will look at each of the three, share my own recordings of Op.100, compare and recommend good editions for those wanting to study these brilliant pieces.

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Piano Grades Are Go! Grades 2-3

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I was genuinely excited by the arrival of the first book in Victoria Producer’s Piano Grade Are GO! series from EVC Music, writing in my review that the collection was:

“that rarest of beasts: a genuinely stunning music book for elementary players.”

My enthusiasm for the book remains undiminished, and I suggest you read that review before progressing to this one: many of the points I wrote about the goals and content of the first book equally apply to the second…

So what about this second collection? Well, it offers 21 new pieces suitable for players at UK Grades 2 and 3 level. Read on to find out more…

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Kassern • Candy Music Box

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MUSIC FROM CHOPIN’S LAND
In 2020, I was commissioned by PWM Edition to record five films showcasing educational piano music by Polish composers. Captivated by my new musical discoveries, I have continued to independently explore and review the music of Chopin’s land…

PWM Edition continue to revive outstanding pedagogic piano music from their rich archives, most recently bringing us a colourful new edition of Kassern’s wonderful Słodki Kramik, or Candy Music Box.

Appearing in PWM’s superb CAT series and in landscape format, the book delivers 12 character pieces with a confectionary theme, suitable for early intermediate players, around UK Grades 3-4…

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Bill Evans • Jazz Piano Solos

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Hal Leonard’s outstanding Jazz Piano Solos series of collections, featuring the ace arrangements of Brent Edstrom, has clocked up more than 60 volumes, showcasing music from Berlin to Bossa, from Cocktail to Coltrane.

With differing licensing rules and rights issues from one country to another however, not all are available beyond the US. As a fan of iconic jazz pianist Bill Evans, I am particularly delighted by the long-awaited arrival on these shores of Volume 19; published back in 2011, but only recently cleared for the UK market, the collection boasts 24 momentous classics from the catalogue the redefined jazz piano playing…

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Ravel • Valses Nobles et Sentimentales

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Valses Nobles et Sentimentales is undoubtedly one of Ravel’s most magnificent solo piano works, and after an inauspicious start it has steadily grown in popularity over the course of the last century, both in its original form and subsequent orchestration.

Though two of the easier movements have appeared in the UK Grade 7 and 8 syllabus, the complete work comprises eight short movements which present considerable challenge, both technically and musically.

Those at diploma level or beyond who are preparing to perform it will want to be diligent in sourcing an edition which combines an accurate musical text with a presentation that is equally suited to study and performance. There are several to choose from.

I have previously relied on the excellent Edition Peters urtext (edited by Roger Nichols, 2008). There’s also a more recent edition from Bärenreiter (2015). In this review however, I will be considering a superb new publication from Durand in their Musique française series.

Durand published the first edition in 1911; this new publication updates their 1921 reprint, giving that authorised musical text a spacious modern engraving, and including an introduction with performing notes by eminent French musicologist Edmond Lemaître. Read on to find out more…

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My Quirky & Lyrical Notebooks

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It is always great to discover a new composer whose music makes an immediate and impressive mark. As reviewers, it’s perhaps these moments we look forward to the most.

In this review, I am happy to recommend two recently published music books by Angeline Bell, a Malaysian piano teacher based in the UK, who only discovered her gift for composing in March 2022 when, having contracted Covid she was forced to take time away from her usual teaching schedule.

Encouraged by her friends, Bell approached Editions Musica Ferrum owner Nikolas Sideris, who agreed to publish her music. Further spurred on by his enthusiasm, Bell quickly composed 40 pieces which she and Sideris have divided into two contrasting piano collections (suitable for intermediate players at around UK Grades 3-6), the subject of this review…

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Maria Szymanowska: 20 Etudes & Preludes

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MUSIC FROM CHOPIN’S LAND
In 2020, I was commissioned by PWM Edition to record five films showcasing educational piano music by Polish composers. Captivated by my new musical discoveries, I have continued to independently explore and review the music of Chopin’s land…

Polskie Wydawnictwo Muzyczne (PWM Edition) continue to live up to their remit of promoting Polish music with regular, excellent editions whose primary aim is to shine a light both on greater- and lesser-known works.

Having set new standards with Jan Ekier’s Chopin National Edition (while also preserving for posterity the revered Paderewski Edition of Chopin’s works), they have recently launched the first volume in a new edition of the works of Maria Szymanowska (1789-1831).

The sturdy, superbly presented and surprisingly inexpensive volume delivers Szymanowska’s Twenty Etudes and Preludes, dating from 1819.

In this review I will briefly consider the significance both of the composer and of the work itself, as well as appraising the new publication…

Continue reading Maria Szymanowska: 20 Etudes & Preludes

Petits Morceaux pour piano

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France has a rich heritage of keyboard music and a proud tradition of piano pedagogy, and yet for many players in the English-speaking world a first encounter with this superb legacy only occurs at early advanced level, with the introduction of favourite classics by Satie and Debussy.

Two rather wonderful new publications from Durand Edition present us with a fine opportunity to acquaint ourselves with the rewarding seam of music that elementary and intermediate players in France are no doubt already familiar with.

The books are introduced by their publisher as,

“A journey through the most iconic pieces found in the prestigious catalogues of Max Eschig, Durand and Salabert. The pieces are organised in order of playing difficulty. An indispensable edition for a voyage through the world of the piano through its didactic repertoire from the last century.”

The music within is predominantly but not exclusively composed by French composers, and includes a mixture of names that will be familiar to teachers in the English-speaking community alongside some who will be less recognised, but certainly no less deserving of discovery.

In this review I will be delving into each of these two fascinating volumes…

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