The New, Improved Microjazz

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


It has been four decades since Christopher Norton’s remarkable Microjazz series practically reinvented piano education in this country and beyond with its infectious cocktail of classical technique and popular contemporary stylings.

Microjazz quickly won recognition the world over as a landmark series, sold over a million copies, and spawned a plethora of spin offs that included More Microjazz, Microstyles, Improvise Microjazz, Microjazz Duets and collections for a wider range of instruments.

The repackaging of the piano solo materials as the Microjazz Collections in 1997 simplified the brand, and made the progression through levels more obvious. Those Collections were again rebranded in 2011, and are receiving another facelift from this year. This time, the Microjazz Collections are also joined by two wholly new, more advanced music books.

In this review I will introduce these new stars in the Microjazz galaxy, and consider the latest updates to the existing books.

But first, let’s celebrate this incredible publishing phenomenon by recapping its extraordinary history…

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Ballads without words

Selected and Reviewed by Andrew Eales
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Heather Hammond is one of the UK’s most widely respected and published educational composers, responsible for a string of popular titles that notably include the Cool Piano, Cool Clarinet, Funky Flute and Super Sax series from Kevin Mayhew. She is also much admired for her work with writing partner Karen Marshall; together they created the Get Set! Piano method series (Collins Music) and Intermediate Pianist (Faber Music).

Hammond’s most recent music, published with vision and panache by EVC Music, has further consolidated her growing international reputation, and EVC now brings us the combined Ballads Without Words, a compilation of two previous best-selling titles (suitable for upper intermediate players around UK Grades 4-5), joined by two brand new pieces…

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How to Practise Music

How to Practise Music is described by the publishers in these words, and is available in both UK and US versions (Practice/Practise):

“The essential, pocket-sized companion for every musician. Accessible and authoritative, How to Practise Music is an ideal guide for anyone learning to play music. Suitable for instrumentalists and vocalists of any genre, this comprehensive handbook will give you a better idea of how to practise music, good reasons for doing so, and the confidence to succeed. “




There are digital versions for Amazon Kindle and Apple Books. The book is also available from the RNIB Bookstore, which aims to open up the world of reading to those with a print disability, including dyslexia, partial sight, and blindness.

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Beethoven: Klavierstücke

Selected and Reviewed by Andrew Eales
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Beethoven’s 35 Piano Sonatas and 22 Variations sets are at the very summit not only of his own creative output for the instrument, but are a climax of the classical keyboard repertoire. They are not, however, the sum total of the great composer’s output for solo piano…

With their latest volume, Wiener Urtext Edition UT 50295 amass his other works in one essential 260-page reference compendium, including 31 pieces with opus numbers (all but one published in the composer’s lifetime) and 36 without, one of which was newly rediscovered in 2020.

All works included are edited from the sources by Jochen Reutter, whose recent edition of the complete Sonatas for Wiener Urtext I reviewed here, with fingerings and notes on interpretation by Sheila Arnold.

Wiener Urtext has further issued a number of shorter folio editions of individual works, and in this review I will also detail those for your interest.

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Josh Winiberg: Change

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


UK-based composer Josh Winiberg’s album Change was released back in 2018, delivering ten tracks of contemporary music in the vein of the hugely popular Ludovico Einaudi, who Winiberg respects and acknowledges as an important influence.

Winiberg’s ten compositions were originally recorded with piano, string quintet, guitars and electronics. It is a measure of the popularity of the recording and the quality of its music that a solo transcription for piano has now been published by Editions Musica Ferrum, the subject of this review.

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