A Czech Piano Expedition

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Here’s an interesting idea – and a superb collection of music!

German music publisher Bärenreiter have had offices in Prague since 1991, and have done more than any other publisher to champion Czech music.

For their new Expedition into Czech Piano Music collection they have worked with leading Czech pianist and educator Ivo Kahánek to produce a collection of 21 solo piano pieces composed from the 18th to 20th centuries, including representative music by 15 composers.

Though rather ambitiously billed as being for “early intermediate pianists” (and such definitions are always loose), I would suggest the pieces here would suit later intermediate to advanced players, from around UK Grades 4-8, several pieces having appeared in the higher grades.

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Ludovico Einaudi: Underwater

Selected and Reviewed by Andrew Eales
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Ludovico Einaudi’s early solo piano albums, which included Le Onde (1996), I Giorni (2001) and Una Matina (2004) established him as the most well-known contemporary piano composer, his most classic pieces ubiquitously appearing in soundtracks and school concerts alike.

Over the years, Einaudi has consolidated his phenomenal success with a string of albums that have expanded his sound. Eden Rock (1999) introduced a wider instrumentation, and string parts have continued to take a particularly important role on albums such as In a Time Lapse (2013) and Elements (2015). Electronic elements and treatments have featured too, notably on Divenire (2006) and Nightbook (2009).

Underwater is Einaudi’s first full album of new solo piano music for two decades. The music was composed while the composer was isolated at his home in Italy. Working without any distractions or the usual commitments that come with his busy schedule, we are told that it is his manifesto for life, and a statement on a period during which the world around him was quiet and silent.

“I felt a sense of freedom to abandon myself and to let the music flow in a different way. I didn’t have a filter between me and what came out of the piano, it felt very pure.”

As a sometime fan of Einaudi’s work, I found Underwater strikingly different to listen to (as have others), and have been looking forward to considering the sheet music folio, which has recently been published by Chester Music / Hal Leonard, and is the subject of this review…

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Decoding Music Theory

Selected and Reviewed by Andrew Eales
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Of the various “innovations” ABRSM have made of late, the replacement of their popular written theory grades with online multiple-choice exams has perhaps been the most controversial, and seems already to be leading to an emphasis on logic-driven trick questions in place of the more creative elements which were a feature of the previous syllabus.

Happily, fact-based learning can still be fun-filled. Proving the point, Melodic Decoder founders Shona Newey and Alison Wood have recently self-published four slim books billed as, “interactive detective stories for children learning ABRSM music theory”.

These colourful and genuinely enjoyable story-puzzle books could be just the ticket for enthusing younger musicians with music theory, so let’s don a deerstalker and investigate…

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Celtic Piano Music

Selected and Reviewed by Andrew Eales
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Since its appearance in 2015, Donald Thomson’s A Borders Suite, which comprises five intermediate pieces stunningly presented by EVC Music, has made an impressive impact.

That first book spawned three more, each adding five more pieces celebrating the beauty of Scotland, and in 2018 the series received the accolade of being a finalist in the Best Print Resource category of the Music Education Awards.

Now EVC Music has released the ultimate collection of Thomson’s music. Bringing together all 20 pieces from those four collections and adding one more for good measure, Celtic Piano Music is a publication to celebrate and treasure. Let’s take a look…

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Fauré: The 5 Impromptus

Selected and Reviewed by Andrew Eales
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Of all the truly seminal composers in the evolution of the piano repertoire, Gabriel Fauré (1845-1924) remains one of the less performed, his significance little understood, his extraordinary music too easily overlooked.

How joyous, then, to see Jean-Pierre Bartoli’s new scholarly-critical performing edition of the 5 Impromptus from leading publisher Bärenreiter, based on the musical text from the corresponding volume of their Oeuvres complètes de Gabriel Fauré of 2020.

These ravishing treasures are suitable for the advanced performer at diploma level and above (the second Impromptu, and best known of the five, is presently included on ARSM, DipABRSM, ATCL and ALCM syllabi).

Let’s take a look at this new edition…

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