2025 – Page 14 – Pianodao

Discovering Backer Grøndahl

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews

As I write, I am enjoying the magical afterglow of an event I recently attended at the Norwegian Ambassador’s residence in Kensington. Organised with publisher Edition Peters, the evening celebrated the release of the first ever urtext editions of piano works by Agathe Backer Grøndahl (1847-1907).

The Edition Peters scores for both works have been published in association with Kode, the association of art museums and composers’ homes in and around Bergen, who previously also partnered for the publication of Grieg – A Piano Treasury, reviewed here.

Christian Grøvlen, who is Director of Music and the Composer’s Homes for Kode, and the editor of the Edition Peters scores, performed the two recently published works: the Fantasy Pieces Op.39 and In the Blue Mountain Op.44, introducing each with the rapt fascination and deep insight of a true expert.

While the latter piece was a virtuosic concert work in the manner of Liszt, it was the Fantasy Pieces that impressed me the more. While designating these miniatures “salon pieces,” Grøvlen highlighted Backer Grøndahl’s genius with the form, and her innovative compositional style.

I am surprised that a renewed interest in Backer Grøndahl’s music hasn’t come sooner. Enjoying the generous hospitality and chatting with other guests after the performance, it was clear that none there doubted that this music is of special importance and quality.

Chaminade • Album des enfants

Pianodao Music Library

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews

I have previously heaped praise on the Schott Student Edition, a set of tastefully produced and superbly edited publications presenting core and lesser-known pedagogic repertoire in an attractive, affordable and contemporary format for today’s learners.

Designed for use in instrumental teaching, with titles projected to range from easy beginner music to more advanced repertoire, this is a superb series, and you can browse my previous reviews here.

Schott Music have recently added several interesting new titles to the series, and I will be looking at each in turn over the coming weeks.

One of the undoubted highlights, and the subject of this review, the much-respected editor Monika Twelsiek has selected twelve delicious highlights from Cécile Chaminade’s Album des enfants to delight today’s learners…

A Piano Teacher’s Foibles

Fermata • Pause and Reflect

Supporting Your Piano Pathway
Reflection by Andrew Eales

Which of the incredible teachers in this picture would you like to sign up to have piano lessons with?

Finding the “right” match can certainly prove challenging for some. Writing in a recent issue of Pianist Magazine, Warwick Thompson sagely advises:

“A teacher is actually a human being, surprising as that fact may sound, with foibles, prejudices, blind spots, strengths, and wonders within them.
If those foibles and wonders don’t align with yours, it doesn’t mean you’ll never progress at the piano. It simply means you’ve had the wrong teacher (or rather, to spin the mirror, it means your unfortunate teacher had the wrong student).”

Relief all around, then!

Fanny Hensel • Easter Sonata

Pianodao Music Library

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews

With a reawakened interest in the music of forgotten women composers, evidenced by the numerous collections and books published over recent years, it’s no wonder that the music of Fanny Mendelssohn Bartholdy, later Hensel, (1805-1847) is enjoying a long-overdue renaissance.

Fanny Hensel’s “Ostersonate” (Easter Sonata) was composed in 1828, but remarkably, the recent edition from Bärenreiter is actually the first ever urtext version of this beguiling music, based on an autograph which was long inaccessible due to being in private hands.

Combining excellence with innovation, the typically superb Bärenreiter critical edition itself is accompanied by an included second volume, which offers a complete facsimile reproduction in colour of Fanny’s autograph manuscript.

Nearly two centuries after its composition, it’s surely now time to rediscover and celebrate this tremendous work, which is suitable for performance by players at associate diploma level and beyond…

The Year of the Snake

Fermata • Pause and Reflect

Supporting Your Piano Pathway
Reflection by Andrew Eales

Since ancient times, the Chinese have followed the lunar calendar, New Year coinciding with the first hint of Spring in the northern hemisphere. New Year’s Eve 2025 falls on 28th January, which heralds the start of Spring Festival, culminating two weeks later with the Festival of Lanterns on February 12th.

The years are traditionally named after the twelve symbolic animals of the Chinese zodiac. These are multiplied by the ‘Five Elements’ of traditional Daoist cosmology to create a 60 year cycle. Following on from the Year of the Dragon, we are about to enter the Year of the Wood Snake.

Regardless of how we view ancient beliefs and customs, it does us no harm to reflect on our lives and progress using the cycle of the seasons and calendar of old traditions as a simple tool.