Early Advanced Repertoire – Page 5

Discovering Heller’s Studies

Pianodao Music Library
Selected and Reviewed by Andrew Eales

For many years, Burgmüller’s 25 Easy and Progressive Studies Op.100 have been a mainstay of my teaching, embraced by students as enjoyable piano pieces, while being immensely useful for addressing so many of the technical challenges of the Classical and Romantic piano literature. I consider this collection as near-essential as anything else found in the pedagogy repertoire.

And to support my students and others, I have recorded Burgmüller’s Op.100, compared various editions, and considered his more advanced Op.105 and Op.109 studies here: Discovering Burgmüller.

But where to for similar material for the player who wants more, either as a supplement or follow-on? I have at times used attractive études by Bertini (reviewed here) and Czerny, but recently my colleague and friend Lisa Burns suggested I take a deep dive into the studies of Stephen Heller (1813-1888).

I have of course encountered many of Heller’s études over the years, thanks to their inclusion in various anthologies and syllabus publications, but I had not previously considered them as a body of work in more depth. Doing so has proven to be genuinely rewarding, offering perhaps the perfect answer to the question above…

Jennifer Bowman • Jazz Nocturnes

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Jennifer Bowman will be known to some readers as the composer of one of the many highlight pieces in the 22 Nocturnes for Chopin collection reviewed here last year.

Those who appreciated her piece in that collection will be delighted to learn that she has composed another eight nocturnes, suitable for early advanced players at around UK Grade 8 level, and all imbued with tinges of jazz.

The aptly named Jazz Nocturnes for piano collection is published by 80 Days Publishing, and is the subject of this mini review…

Prokofiev • Visions fugitives

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Sergei Prokofiev (1891-1953) is unquestionably among the great composers of the solo piano repertoire, as well as one of the most important innovators. As Maurice Hinson and Wesley Roberts assert (in their Guide to the Pianist’s Repertoire, fourth edition, 2014):

“Prokofiev developed an individual, percussive style, which was probably the most signifiant innovation in piano technique since Chopin. His percussive manner is uniquely blended with a lyric element frequently accompanied by strong dissonance, yet his basic arsenal of figuration stems directly from the nineteenth century. Influences of Russian folk song are evident in his melodies and energetic rhythms.”

To this impressive list of qualities, I think we must also add Prokofiev’s contrapuntal genius, clarity of musical texture, profound affinity with the instrument, biting wit, and of course remember that he composed some of the twentieth century’s most remarkably memorable and widely recognised melodies.

With the relaxing of copyright restrictions, we can happily anticipate that the available catalogue of Prokofiev piano music in print will rapidly grow in the coming months, raising the quality and increasing the choice of editions, as well as improving access to the composer’s less well-known pieces.

Dominated by the nine Sonatas, this astonishing body of work also includes more than 100 smaller pieces, as well as the composer’s transcriptions of his famous orchestral works. Edition Peters have been quick to reissue legacy editions, but perhaps more significantly, Henle have begun to bring out brand new scholarly urtext editions of the most significant pieces, so far including the Seventh Sonata and the virtuosic Toccata Op.11.

Among these releases, Henle’s new edition of the seminal masterpiece Visions Fugitives Op.22 is the subject of this review…

Grieg • A Piano Treasury

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Were I to provide a roll call of the composers whose music is of essential and special importance in the piano repertoire, Grieg’s name would be an early and easy addition to that shortlist (as indeed it was when I considered what music to include in The Joy of Graded Piano series).

For those who haven’t discovered the wonders, variety and joy of Grieg’s music, most of which is suitable for late intermediate and early advanced players (UK Grades 5-8), a new collection from Edition Peters offers a superb introduction to the man and his music.

The Night Time Piano Anthology

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Faber Music’s Piano Anthology series understandably continues to prove popular with late intermediate to early advanced players looking for a bounty of fresh music in beautifully presented, keenly priced, and durable volumes.

In recent years, new additions have generally appeared in the autumn, and the most recent was the excellent Harry Potter Piano Anthology.

Hot on its heels, Faber now bring us another collection, this time resuming the series standard of offering a far broader, more varied selection of pieces for intermediate to advanced players, and celebrating an ever-popular theme: night time.

Intermediate French Favourites

Pianodao Music Library
Selected and Reviewed by Andrew Eales

In my earlier review of the Baroque, Classical and Romantic titles in Hal Leonard’s Classical Piano Sheet Music Series, I concluded,

“Those in the market for a solid collection of established pieces from each of these eras will find these books offer excellent value. For around £12 a throw, they include a wealth of well-established musical material, sympathetically edited and nicely put together.”

Since then, further titles have been added to the budget-friendly series, the most recent of which has particularly piqued my interest…

Beethoven • The Complete Bagatelles

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Music publishers Bärenreiter have rightly received loud applause for their recent scholarly performing urtext editions of Beethoven’s music.

Of particular interest to Pianodao readers, Jonathan Del Mar’s edition of the complete Piano Sonatas (reviewed here) was a milestone that was soon joined in the catalogue by Mario Aschauer’s landmark Diabelli Variations edition (reviewed here).

Aschauer has now brought as an exhaustively Complete Bagatelles edition that further consolidates the publisher’s lead in this repertoire.

A Bagatelle (French, “trifle”) is by definition a “short piece in a lighter style”, and Beethoven’s, which include the evergreen Für Elise, are surely among the most famous of all. Indeed, it is probably not overstating their importance to say that they set the musical scene for the character pieces which became such a popular staple of the domestic piano repertoire in the Romantic Era.

For the developing pianist, meanwhile, these pieces offer an important bridge between Beethoven’s easy dances and his monumental Sonata cycle. No wonder that they have long been recognised as an indispensable part of the early advanced repertoire, essential for players at around UK Grades 6-7.

Masterpieces for the Modern Pianist

Pianodao Music Library
Selected and Reviewed by Andrew Eales

Bumper books of piano repertoire have long been a popular feature of the music publishing landscape. They can also prove hugely useful, as illustrated by a student I currently teach who is putting together a complete Grade 7 programme using only the free music compendium that arrived (in a polythene bag, alongside the instruction manual) with his Yamaha piano.

One of the enjoyable quirks of such anthologies is that they often include some unexpected rarities alongside the usual chestnuts, and this is a strength that The Willis Music Company have particularly played to with their latest venture into this market. Masterpieces for the Modern Pianist claims, and succeeds, in offering:

“a unique classical piano solo collection of over 70 timeless favourites and featuring undiscovered gems!”

Read on for the complete list and review of this remarkable fresh arrival…