Beethoven’s Piano Sonatas: Wiener Urtext

Selected and Reviewed by Andrew Eales
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In the conclusion to my recent review of Bärenreiter’s recently published Jonathan Del Mar edition of the complete Beethoven piano sonatas, I noted,

In the light of such high praise, eyebrows might be raised at the spectacle of me now reviewing an alternative edition. However, it’s only fair to admit that however definitive an edition is (and the Del Mar edition is as definitive as they come), there is still space for more than one edition of these masterpieces on our shelves.

Given the complexity of establishing an exact text of these core works, and the performance considerations they raise, I certainly welcome the option of having a couple of editions to consult, especially if they offer complementary strengths and insights.

Also last year, and with the 250th anniversary of Beethoven’s birth clearly in sight, Wiener Urtext released their own fully updated and revised urtext edition of the Sonatas in three volumes, UT 50427/8/9.

Without detracting from my enthusiasm for the Del Mar edition in any way at all, there are good reasons why some players might welcome the strengths offered by the Wiener Urtext editions, or even prefer them; this review will focus on explaining what I think those are…

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Gershwin: Three Preludes

Selected and Reviewed by Andrew Eales
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Gershwin’s Three Preludes for solo piano have been a staple of the American piano repertoire since their first publication in 1927.

Like many, I have long relied upon the 1992 Boosey & Hawkes edition, so I was intrigued to receive a new edition by Brendan Fox and Richard Walters, recently published by Hal Leonard.

Interest piqued, it wasn’t long before I found myself won over…

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Breitkopf’s Brahms Edition

Selected and Reviewed by Andrew Eales
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Celebrating their 300th Anniversary in 2019, august publishing house Breitkopf & Härtel reissued several heritage editions alongside their typically exciting new publications.

I have recently reviewed their edition of Joachim Raff’s Piano Sonatas and reissue of Clara Schumann’s celebrated edition of her late husband Robert Schumann’s complete piano works, with fingering by Wilhelm Kempff.

Now I’m looking at their reissued Complete Piano Works of Johannes Brahms, drawn from the Urtext of the Brahms Complete Edition issued by the Gesellschaft der Musikfreund, Vienna: this is the famous edition prepared by Brahms’ close personal friend Eusebius Mandyczewski (1857-1929).

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Beethoven’s Piano Sonatas: the Jonathan Del Mar edition

Selected and Reviewed by Andrew Eales
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As publishers prepare for the 250th Anniversary of the birth of Beethoven, several have been revisiting his Piano Sonatas, a steady flow of which have been arriving for review over recent months.

First to deliver their new version of the complete cycle are Bärenreiter, whose edition of all 35 Sonatas (including the three early Sonatas WoO 47) is now complete and available in a variety of formats.

An epic achievement, this new edition has already won the hearts and minds of some of the world’s greatest Beethoven interpreters; those giving glowing endorsements include Marc-André Hamelin, Angela Hewitt, Stephen Hough, Robert Levin, Leslie Howard and Igor Levit (whose recording of the cycle I recently reviewed here).

To quote Paul Badura-Skoda:

“Jonathan Del Mar’s Beethoven edition is unparalleled in terms of its precision. What I value most about it is the use of lesser-known or previously unknown sources, the commentary, which is the most extensive to date, and the discussion of problematic sections. I wholeheartedly recommend this new edition of Beethoven piano sonatas.”

So now let’s take a more in-depth look…

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The Melody at Night, With You

Selected and Reviewed by Andrew Eales
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Keith Jarrett has long been one of my piano heroes, his album The Melody at Night, With You an all-time favourite recording. I am absolutely delighted that, 20 years after its release, Schott Music have brought out a complete sheet music transcription of the ten album tracks, by Friedrich Grossnick.

I’ll get straight to it – this music is a very special recommendation. Let me tell you why…

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Ravel: Jeux d’eau

Selected and Reviewed by Andrew Eales
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So said composer Maurice Ravel (1875-1937) of his breakthrough composition Jeux d’Eau, completed on November 11th, 1901 and dedicated to his teacher Gabriel Fauré. As such, the work is surely a milestone not only in Ravel’s compositional development, but also in that of the classical piano repertoire.

In this post I will consider the genesis and significance of Jeux d’Eau before taking a look at Nicolas Southon’s brand new urtext edition of the piece, with fingering and notes on the interpretation by concert pianist Alexandre Tharaud, recently published by Bärenreiter.

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Beethoven’s Variations for Piano

Selected and Reviewed by Andrew Eales
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As the 250th centenary of the birth of Beethoven approaches, it’s no surprise that the major publishers are issuing new and updated editions of his major piano solo works.

The monumental cycle of 35 Sonatas (the “New Testament” of the solo piano repertoire) are inevitably a centrepiece of the release schedules of several major publishers, but Beethoven’s other piano works mustn’t be overlooked.

Happy news, then: Henle Urtext have brought out an updated edition of Beethoven’s Variations for Piano in two volumes. The first volume [HN 1267] appeared a couple of years ago, but it’s the second [HN 1269], now available, that may prove the more irresistible. Let’s find out why …

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The Greatest Schumann?

Selected and Reviewed by Andrew Eales
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In a grand publishing milestone, Breitkopf & Härtel have reissued in seven volumes Robert Schumann’s complete piano works in the edition prepared by his widow Clara Schumann, and later updated with additional fingerings by the legendary pianist Wilhelm Kempff.

Let’s dig straight into the fascinating history of this one ….

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