Weber: The Piano Sonatas

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Carl Maria von Weber (1786-1826) was one of the significant pioneers of German Romanticism in music, chiefly remembered for his operas Der Freischütz, Oberon and the popular Invitation to the Dance.

Weber was also a brilliant pianist who composed four Sonatas, several shorter solo pieces, two Concertos, the Konzertstück in F minor for piano and orchestra, and considerably influencing successors such as Mendelssohn and Liszt.

Though not as universally known as those of his contemporaries Beethoven and Schubert, Weber’s four Sonatas have found a continuing place in the repertoire, and have been championed by leading concert artists such as Artur Schnabel, Claudio Arrau, Sviatoslav Richter, Emil Gilels, Leon Fleischer, Hamish Milne and Paul Lewis.

They have been less-well served in print however, an oversight which Schott Music hope to rectify with the publication of their new, affordable single-volume edition.

Continue reading Weber: The Piano Sonatas

Joachim Raff’s Piano Sonatas

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


At the peak of his success in the 1870’s, Joachim Raff (1822-1882) was one of the most celebrated composers in the world, his eleven symphonies popular in concert halls across Europe and beyond, his marvellous body of solo and four-hand piano music a staple of the repertoire.

And yet, but the time of his death a few years later, his star was already in decline, his fall from fashion remarkably rapid. His music languished largely unperformed through the twentieth century, and is only now being properly reappraised, enjoying something of a revival.

Of Raff’s 216 works with opus numbers, 117 are works for piano solo, 54 for four-handed piano, and 23 piano arrangements of works by other composers. Concert pianist Tra Nguyen has led the charge to rediscover some of this extraordinary music, her stunning recordings revealing the quality of Raff’s writing and once again elevating him to a position alongside Brahms and his contemporaries.

Nguyen’s recordings for Naxos’s Grand Piano label are available to stream via the major platforms, and can be bought as a budget 6CD set from Amazon UK here. They are well worth exploring!

Introducing his new scholarly urtext edition of Raff’s three Piano Sonatas, recently published by Edition Breitkopf, Ulrich Mahlert suggests:

With that goal in mind, let’s consider Mahlert’s new edition of the Piano Sonatas.

Continue reading Joachim Raff’s Piano Sonatas

Henle’s revised Chopin Scherzi

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Ask a group of pianists which edition of Chopin’s piano works is the best, and you will probably get little consensus.

Some cling to our old copies of the much-revered Paderewski Editions which have been widely used since their appearance in the mid-twentieth century, while of the more recent urtext editions, the Jan Ekier Polish National Edition comes highly recommended.

Alongside these, the ever-reliable Henle Urtext editions have been popular for many years, and enthusiasts will be pleased to hear that they have just added a new revised edition of the 4 Scherzi, edited by Norbert Müllemann and with fingerings by Hans-Martin Theopold.

Continue reading Henle’s revised Chopin Scherzi

Couperin: Pièces de clavecin

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


François Couperin ‘le grand (1668-1733) was undoubtedly one of the great keyboard composers. His seminal influence is not only evident in the music of later French composers from Rameau to Ravel, but as an antecedent finds echoes in Chopin’s piano miniatures and even perhaps (by way of Creole migrants) the rhythms of New Orleans Jazz.

And yet his music remains too little known, and too rarely performed. But now we have an even better chance to explore his glorious solo keyboard output, thanks to Bärenreiter’s recent publication of a stunning new edition of the Second Livre (1717) of Couperin’s Pièces de clavecin.

Continue reading Couperin: Pièces de clavecin

LCM: In Concert 2

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


London College of Music’s suite of LCM Diplomas have just been revised for 2019, with certification beginning this Spring, and with a crossover during which candidates can continue to use the previous 2011 syllabus.

Alongside the Diploma syllabus revision, a new anthology of solo piano repertoire has been published, called In Concert 2. This book is the sequel to last year’s In Concert, which I enthusiastically reviewed here.

In this review I will look at the syllabus and then offer a more detailed review of In Concert 2, which may in any case have a wider appeal.

Continue reading LCM: In Concert 2

Brahms: Two Rhapsodies

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Brahms’ vivacious Two Rhapsodies Op.79 of 1879 are among his most frequently performed and popular concert works.

The Rhapsody in G minor Op.79 No.2 is also a mainstay of the ABRSM piano diploma syllabus, where its gorgeous sweeping melody line makes it a popular choice with players.

Inevitably there are several printed scores on the market; ABRSM naturally promote their own, while many performers have tended to opt for the Henle Urtext edition.

Now Brahms expert Christian Köhn is presenting these popular pieces in an up-to-date new edition that remains faithful to the sources and reflects scholars’ latest findings. And according to publishers Bärenreiter,

Let’s take a quick look…

Continue reading Brahms: Two Rhapsodies

Piano Music by British & American Composers

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Lurking in my reviews backlog for some time, here’s a book which has continued to beckon, so let me finally highlight it as the epitome of a great idea brilliantly brought to life.

The so-called “core repertoire” for classical piano has long been predominantly drawn from the great composers of the Central European Tradition (Germany, Austria and Hungary), France and Russia. Meanwhile, composers from the UK and USA have somewhat struggled to gain comparable recognition beyond their own borders.

This bumper anthology from publishers Boosey & Hawkes collates piano works from an even and well-matched spread of composers from both sides of the Atlantic, all of whom lived and worked in the 20th century. As such it offers a rather wonderful introduction to some great music, much of it too-little performed, but all hugely worthy of the pianist’s attention.

Continue reading Piano Music by British & American Composers

Albéniz: Cantos de España

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


As I write this, the UK is one of many countries in the grip of a historic heat-wave. Suffice to say that when the weather here turns Mediterranean in feel, I have a tendency to uncork a fine bottle of Rioja and reach for the Albéniz CDs.

The piano music of Isaac Albéniz (1860-1909), it seems to me, occupies a uniquely odd position in the classical piano repertoire.

On the one hand he would seem to be universally admired, his monumental series of 12 piece Iberia roundly hailed as one of the seminal masterpieces at the very pinnacle of the “core repertoire” (and yet rarely performed or recorded!). On the other hand, many pianists complete their lifetime journey at the piano without once opening one of his scores.

As well as the stunning Iberia cycle, don’t miss the gorgeous Suite Española Op.47, scenic Recuerdo de Viaje Op.71, accessible España Op.165 and the brilliant Cantos de España Op.232. All are easily available as sheet music scores.

A brand new edition of the last listed of these works has recently been issued in the Alfred Masterworks Edition library, so let’s take a closer look.

Continue reading Albéniz: Cantos de España