Górecki: Piano Album

Selected and Reviewed by Andrew Eales
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Henryk Mikołaj Górecki (1933-2010) has come to be regarded as one of the most important composers of the second half of the twentieth century, significantly due to the astonishing commercial success of his Third Symphony, the Symphony of Sorrowful Songs (1976).

A leading figure in Poland’s avant-garde in the 1960’s to ’70’s, Górecki was inspired by (among others) Webern, Messiaen, Stockhausen, and his compatriot Krzysztof Penderecki (who was just two weeks his senior), although his later work transitioned toward a more tonal approach, the Third Symphony marking an important staging post in that musical metamorphosis.

Boosey & Hawkes, long at the forefront of bringing contemporary piano music to market, have recently issued a new collection of Górecki’s more modest pieces for the instrument. The Piano Album is edited by the composer’s daughter, concert pianist Anna Górecka, and offers a fascinating and approachable snapshot of his evolving art…

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Couperin’s Troisième Livre

Selected and Reviewed by Andrew Eales
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Reviewing the new Denis Herlin edition of the Second Livre of Pièces de Clavecin by François Couperin ‘le grand’ (1668-1733) when it was published by Bärenreiter back in 2019, I concluded:

READ THE FULL REVIEW HERE

Three years later, and the next volume of this incomparable benchmark edition has appeared, and once again I have no hesitation in lavishing it with praise…

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Ludovico Einaudi: Cinema

Selected and Reviewed by Andrew Eales
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Ludovico Einaudi’s music continues to divide opinion, often derided by those whose preferred music is less accessible, while fêted by fans and adored by enthusiastic pianists, students and audiences around the world. And along the way, his music has perhaps nowhere found a wider (or more lucrative) embrace that in the movie theatre…

Cinema appeared as a CD album about a year ago, and features 28 of Einaudi’s memorable works from film and television, including tracks from the Oscar-winning ‘Nomadland’ and ‘The Father’.

The sheet music folio from publishers Chester Music is now with us, the subject of this review, in which I will also consider a separate publication of the music from the Nomadland soundtrack…

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Women Composers: A Graded Anthology

Selected and Reviewed by Andrew Eales
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Hot on the heels of Karen Marshall’s lovingly curated HerStory from Faber Music, which I recently reviewed here, Schott Music bring us three brilliantly compiled and vividly presented collections of music by neglected female composers past and present.

Melanie Spanswick’s Women Composers: A Graded Anthology is equally as groundbreaking, and being a larger series these books offer space to a wider and more diverse range of repertoire, particularly in their inclusion of playful jazz and 20th century piano works.

It is interesting to note that of the 30 works in Marshall’s book and the 52 more here, not only are there no actual duplicates, but few of the composers themselves appear twice, an extraordinary confirmation (were it needed) that the pool of neglected music by female composers is a deep one indeed.

So let’s cast an eye over Spanswick’s series…

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Boogie Woogie Piano Solos

Selected and Reviewed by Andrew Eales
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Of all the jazz styles, boogie woogie surely sits at the “unabashed fun” end of the spectrum, with a musical appeal, approachable good-nature and lack of pretensions that invites classical players as well as jazz-devotees to get down and have a go.

Intermediate players who want to boogie are well catered for by the likes of William Gillock, Martha Meir and Mike Cornick, while for the advancing player Tim Richards’ Blues, Boogie & Gospel Collection (reviewed here) is a great resource.

Meanwhile, those who want to master the style at the highest level and play transcriptions of the classics will welcome the latest addition to Hal Leonard’s Jazz Piano Solos series.

Volume 60 is simply titled Boogie Woogie, and this new collection is terrific: more advanced players will absolutely love it.

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