Pianodao: Review of 2017

2017 has been a fabulous year in so many ways!

I want to start by thanking everyone who has supported me – personally and professionally – and the Pianodao site this year,

The site has welcomed 120,000 visits, coming from almost every country in the world (more than 90 – but there just a few central African countries still resisting the site’s charms!) and has been recognised as one of the top 20 piano blog sites worldwide.

THANK YOU!!

Here are some highlights – specifically I will list the Top Ten Most Read Reviews of 2017, as well as the Top Ten Most Read Articles.

Phew! Here goes…

Continue reading Pianodao: Review of 2017

Piano Kaleidoscope

Sheet Music Review

In my recent review of Bärenreiter’s new edition of the Sonata in A major K331 by Mozart, I mentioned that they are a publisher who take pride in achieving the highest standards in all their publications. In their own words:

Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research prepared in accordance with clearly defined editorial guidelines.
Bärenreiter Urtext: the last word in authentic text – the musicians’ choice.”

Piano Kaleidoscope is a new piano anthology, produced by Bärenreiter as an appetiser for their Urtext Editions, specially priced at the pocket-money price of just £4.00. And it is the best bargain I’ve ever reviewed here!

But who is it for, and does it achieve more than its basic aim of promoting the rest of their published range? Let’s find out…

Continue reading Piano Kaleidoscope

At the Piano: Mozart

Sheet Music Review

Ask any classical performer to name which edition of the core repertoire they most highly regard both for daily use and as an authoritative Urtext Edition, and the name G. Henle Verlag will be at or close to the top of their list.

In their own words:

“Musicians need to be able to rely on their sheet music. This should be undistorted, free of errors, practical and durable. This is exactly what we provide. We call it Henle Urtext. Musicians around the world, both amateurs and professionals, know us.

Unlike the other music publishers, we have concentrated almost exclusively on producing Urtext editions of the great “classical” compositions ever since Günter Henle founded our company in 1948. As the world’s undisputed leader in this premium class, we have the most know-how about Urtext as well as the most comprehensive Urtext catalogue, comprising 1.000 titles to date.”

To this extensive catagloue, Henle recently added a new series of publications specifically aimed at those “returning to the piano”. That series, ‘At the Piano’ is happily now available in English.

According to the publisher:

  • Each volume includes original pieces by one composer.
  • The works are arranged in progressive order of difficulty (from easy to medium level).
  • The works complement one another conceptually.
  • The length of the pieces ranges from one to eight pages.
  • The works contain fingerings and practical tips on technique and
    interpretation.

There’s even this promotional video:

There are 12 volumes in the series, each focussing on the music of one core composer, and for this review I will be focussing on the Mozart volume in the series.

Details of the rest, including the lists of pieces they include, are on the Henle Verlag website here.

Continue reading At the Piano: Mozart