Amy Beach • Children’s Music

Selected and Reviewed by Andrew Eales
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Back in 2019 I reviewed an excellent edition of Türk’s Pieces for Beginners, which launched the new Schott Student Edition. It has been a while, but now Schott have launched a couple more titles in the series, the first of which features two collections by the popular American composer Amy Beach (1867-1944), her Children’s Album Op.36 and Children’s Carnival Op.25, together in one elegant volume.

Individual pieces from these collections may be known to readers from their appearance in graded collections and anthologies of music by women composers. How wonderful, though, to have complete versions brought together in this publication, which also includes in-depth background and teaching notes on each piece by editor (and well-known teacher) Melanie Spanswick.

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Piano Player • Christmas Time

Selected and reviewed by Andrew Eales
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Regular readers will know that I am quite a fan of Faber Music’s Piano Player series, originally projected to include seven books, five of which are already available and reviewed here, with the final two anticipated for 2024.

With decorous covers sporting the artwork of Edward Bawden (1903-1989), a pull-out reproduction to keep and frame, and a mixed range of popular classics and tasteful arrangements geared towards adult intermediate players, the series has carved out a very particular and worthwhile niche.

Taking us unawares, Faber Music have just launched a new addition to the series. Not billed among the seven titles advertised so far, The Piano Player Christmas Time is more than just a welcome surprise…

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The Pam Wedgwood Christmas Collection

Selected and reviewed by Andrew Eales
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Earlier this year, Faber Music released a brilliant compilation of jazzy pieces selected by Pam Wedgwood from her back catalogue of bestsellers. In my review of the Jazzin’ About Anthology, I described it as,

Now Faber have followed it up with The Pam Wedgwood Christmas Collection, and the same high praise is due. Producing this book is certainly a smart and welcome move.

Wedgwood has an impressive archive of Christmas-themed music to mine, having produced several books of traditional, jazzy and contemporary seasonal music in the After Hours, Jazzin’ About, and Up Grade! series, not forgetting the excellent It’s Never Too Late to Play… Christmas collection.

With such a wealth of material to choose from, let’s find out what Wedgwood and Faber Music have picked…

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Piano Music of Black Composers

Selected and Reviewed by Andrew Eales
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So writes Leah Claiborne in the compelling introduction to her two new music collections, Expanding the Repertoire: Piano Music of Black Composers, published worldwide by Hal Leonard.

Leah Claiborne
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Calming Piano Solos

Selected and Reviewed by Andrew Eales
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Hal Leonard recently issued two editions (respectively offering 35 “Piano Solo” pieces and 19 arrangements for “Easy Piano”) of the unambiguously named collection Calming Piano Solos.

I can guess what some readers are thinking, and yes, I Giorni and Una Mattina are present and correct. But before you jump to the wrong conclusion and give up reading further, it’s worth noting that these books are something of a surprise, offering a wealth of fresh and appealing titles.

The first clue that these books would be different was, for me, the front cover promise which reads,

“…beautiful solos including:
The Approaching Night • Butterfly Waltz • Love’s Return • Sea Change • When Morning Comes • Winged Melancholy…”

Hmm, excuse my ignorance, but… say what?

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Sam Wedgwood’s Project

Selected and Reviewed by Andrew Eales
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I am just back from the Elena Cobb Star Prize Festival, an event organised each year by EVC Music and held in the Elgar Room at London’s iconic Royal Albert Hall. Young players from around the world are invited to take part, performing music predominantly handpicked from the EVC catalogue, this year including performances from youngsters from as far afield as Canada, the USA, Colombia, the UK, Ukraine, and even Australia.

From a personal perspective, the Festival offers a golden opportunity to hear music from the many EVC publications that I have reviewed here brought brilliantly to life in superb performances, many accompanied by a professional house band, which further adds to the sense that this is a uniquely brilliant and life-changing event for families taking part.

For 2023, the programme included several pieces composed by Sam Wedgwood, whose Next Level collection I previously reviewed here, but who has previously also published two books under the title Sam Wedgwood’s Project, which I will retrospectively introduce and review now.

Simply put, I really enjoyed the performances of these pieces. So let’s find out more about Sam Wedgwood’s Project

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Naoko Ikeda Graded Collection

Selected and Reviewed by Andrew Eales
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Following the success of my series of three Graded Gillock collections published by Willis Music last year, I was delighted to be asked to compile a companion collection showcasing the wonderful music of Japanese composer Naoko Ikeda.

Naoko Ikeda: The Graded Collection, now available from Willis Music, includes 24 of Ikeda’s best solo piano pieces, organised in approximate order of difficulty and appropriately grouped according to the UK Grade system from Grade 2 to Grade 5 level.

These stunning pieces would make wonderful selections as “own choices” in Performance Grades, and with six pieces for each of the four grades covered, they provide a rich feast to enhance the player’s development throughout their intermediate playing years.

The pieces have been chosen to offer a flavour of the musical range of this fine composer, ranging from jazz and pop ballads to emotive pieces infused with the musical language and imagery of Japanese culture.

In the introduction that follows I will offer background to the collection in greater depth, as well as including my own piano recordings of 8 of the 24 pieces, which give a varied, representative preview of the collection.

You will also hear from Naoko Ikeda herself, as she shares about her creative journey in her own words…

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Piano Music by Women Composers

Selected and Reviewed by Andrew Eales
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After several decades in which music by women composers was largely overlooked by those compiling piano anthologies, concert programmes, exam and festival lists, the recent renaissance of interest can be warmly welcomed as a necessary recalibration, and one which continues to bring to light many wonderful treasures.

Gail Smith’s pioneering Women Composers in History anthology (2013, Hal Leonard, available here) paved the way for more recent collections from Melanie Spanswick (reviewed here) and Karen Marshall (reviewed here). These ‘voices in the wilderness’ certainly piqued our interest, introducing piano enthusiasts to many names that we had been unaware of.

If those collections were the harbingers of change, two new anthologies compiled by Immanuela Gruenberg (again published by Hal Leonard) deliver a confident musical consummation of that promise, a tour de force of truly stunning classics.

Delivered with mature confidence and polished professionalism for a mass global market, these slick collections herald a watershed moment. Join me as I discover Piano Music by Women Composers

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