Barbara Arens: Piano Misterioso

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


In my review of Barbara Arens’ collection of ’21 Amazingly Easy Pieces’ last month I concluded:

“The partnership between composer and publisher has clearly worked brilliantly here, and the resulting book is quite simply a delight. Let’s hope for more to come!”

I’m therefore particularly happy to be reviewing the follow up ‘Piano Misterioso’, especially as all the praise offered in my previous review equally applies here.

Subtitled “28 Magically Easy Pieces”, the collection would suit early intermediate players at around UK Grade 3 level. And it is clear that publishers Breitkopf & Härtel have again given their full professional attention to editorial detail, beautifully presenting Barbara’s latest pieces with class and distinction.

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Practice Starters – Pick a Card!

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Created by leading educator Paul Harris and brought to us by Faber Music, “Practice Starters” is an innovative pack of cards which aims to kick start and refresh your practice sessions. As we’ll see, it’s a great learning resource, and a lot of fun!..

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Christopher Norton: Eastern Preludes

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Christopher Norton is very deservedly one of the most famous and beloved educational composers alive today. Perhaps best known for his ground-breaking and million-selling ‘Microjazz’ series, Norton has added many other outstanding collections to his list of publications, with material for pianists at every level.

His piano “Preludes” series from Boosey & Hawkes has proved popular with players at an early advanced level (around UK Grades 7-8), with genre-based collections that include ‘Jazz Preludes’, ‘Rock Preludes’, ‘Latin Preludes’ and ‘Country Preludes’. To these, Norton has also added the more exotic ‘Eastern Preludes Collection’

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21 Amazingly Easy Pieces

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


21 Amazingly Easy Pieces is an original collection of new pieces by Barbara Arens, published by Breitkopf & Härtel in 2014, which has recently come to my attention, and I am seriously impressed with it.

Composer Barbara Arens is a passionately dedicated piano teacher. She began her studies at the Mozarteum in Salzburg at the age of 13. After a concert career performing primarily as harpsichordist and organist, she now puts her diverse abilities and experiences into composing for her piano
pupils. She presently lives near Würzburg, Germany, after living in Beirut, Dallas, San Francisco, Singapore, Salzburg, London and Munich.

Knowing that Barbara has such extensive experience – of performing, of teaching, and of the world – gave me high hopes for these books, and I was not disappointed.

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András Schiff & Natural Breathing

Supporting Your Piano Pathway
Written by Andrew Eales


András Schiff, surely one of the most respected concert pianists of our time, made the following extraordinary observation in a recent interview with Pianist Magazine (No.76, Feb-March 2014):

Breathing is a subject that I have rarely seen discussed in connection with piano technique, and even less so in the context of pianists’ injuries, their causes, cures and corrections. Schiff is hitting on a point that it would seem is indeed too often overlooked.

In this article I will consider the links between natural breathing and Qigong practice, as well as offering a simple breathing exercise that anyone can try…

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The Art of Piano Pedagogy

Supporting Your Piano Pathway
Written by Andrew Eales


The great Russian pedagogue Heinrich Neuhaus (who taught such legendary classical pianists as Radu Lupu, Sviatoslav Richter and Emil Gilels) wrote:

“I consider that one of the main tasks of a teacher is to ensure as quickly and as thoroughly as possible that he is no longer necessary to the pupil; to eliminate himself, to leave the stage in time, in other words to inculcate in the pupil that independent thinking, that method of work, that knowledge of self and ability to reach his goal which we term ‘maturity’, the threshold beyond which begins mastery.”

Heinrich Neuhaus
The Art of Piano Playing, (trans. K.A. Leibovitch, London 1973)

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