Music from Minecraft

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


When I heard that Hal Leonard were bringing out a Music from Minecraft solo piano album, I was intrigued but unsure what to expect, not least because while interested in the concept of the game, I haven’t actually played it.

The music is composed by Daniel Rosenfeld, a German electronic composer and sound engineer who performs under the moniker C418. Rosenfeld began creating music on his computer as a teenager, and by the age of twenty had an established growing career.

Rosenfeld’s music for Minecraft was created when he was in his early twenties, and has been released on two albums in conjunction with the game itself: Minecraft Alpha (2011) and the longer, lusher Minecraft Beta (2013).

The present sheet music publication draws twenty pieces from across both those albums, presenting solo piano transcriptions suitable for intermediate to advanced players. The target audience will predominantly be teenagers and young adults who play the game, and that’s a huge target!

So let’s take a look…

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Ludovico Einaudi: Underwater

Selected and Reviewed by Andrew Eales
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Ludovico Einaudi’s early solo piano albums, which included Le Onde (1996), I Giorni (2001) and Una Matina (2004) established him as the most well-known contemporary piano composer, his most classic pieces ubiquitously appearing in soundtracks and school concerts alike.

Over the years, Einaudi has consolidated his phenomenal success with a string of albums that have expanded his sound. Eden Rock (1999) introduced a wider instrumentation, and string parts have continued to take a particularly important role on albums such as In a Time Lapse (2013) and Elements (2015). Electronic elements and treatments have featured too, notably on Divenire (2006) and Nightbook (2009).

Underwater is Einaudi’s first full album of new solo piano music for two decades. The music was composed while the composer was isolated at his home in Italy. Working without any distractions or the usual commitments that come with his busy schedule, we are told that it is his manifesto for life, and a statement on a period during which the world around him was quiet and silent.

“I felt a sense of freedom to abandon myself and to let the music flow in a different way. I didn’t have a filter between me and what came out of the piano, it felt very pure.”

As a sometime fan of Einaudi’s work, I found Underwater strikingly different to listen to (as have others), and have been looking forward to considering the sheet music folio, which has recently been published by Chester Music / Hal Leonard, and is the subject of this review…

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Ballads without words

Selected and Reviewed by Andrew Eales
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Heather Hammond is one of the UK’s most widely respected and published educational composers, responsible for a string of popular titles that notably include the Cool Piano, Cool Clarinet, Funky Flute and Super Sax series from Kevin Mayhew. She is also much admired for her work with writing partner Karen Marshall; together they created the Get Set! Piano method series (Collins Music) and Intermediate Pianist (Faber Music).

Hammond’s most recent music, published with vision and panache by EVC Music, has further consolidated her growing international reputation, and EVC now brings us the combined Ballads Without Words, a compilation of two previous best-selling titles (suitable for upper intermediate players around UK Grades 4-5), joined by two brand new pieces…

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How to Practise Music

How to Practise Music is described by the publishers in these words, and is available in both UK and US versions (Practice/Practise):

“The essential, pocket-sized companion for every musician. Accessible and authoritative, How to Practise Music is an ideal guide for anyone learning to play music. Suitable for instrumentalists and vocalists of any genre, this comprehensive handbook will give you a better idea of how to practise music, good reasons for doing so, and the confidence to succeed. “




There are digital versions for Amazon Kindle and Apple Books. The book is also available from the RNIB Bookstore, which aims to open up the world of reading to those with a print disability, including dyslexia, partial sight, and blindness.

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West Side Story

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews


With Steven Spielberg’s acclaimed new movie version of West Side Story arriving at multiplexes around the world, you surely won’t have missed the buzz once again surrounding the great Bernstein/Sondheim masterpiece.

Looking for an accessible piano score, I found that there are more than 300 search results on Musicroom, narrowing down to several piano solo and duet publications. I’ve selected the “intermediate piano solo selections” version for review here, which has been around for a few years, and is linked (via Musicroom) at the end of the short review which follows…

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Elena Cobb: Recital Piano Solos

Selected and Reviewed by Andrew Eales
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Elena Cobb is without doubt one of the single most inspiring educators and committed visionaries that I have ever had the privilege of meeting.

A musical force of nature, she has made a global impact in music education through her Star Prize events at London’s Royal Albert Hall which attract young players from around the world, her festival and awards sponsorships, online networking (her Facebook community for Russian-speaking teachers has more than 10,000 members) and her music publishing.

Building her publishing business EVC Music from scratch, the last decade has seen Cobb supporting new music, in the process launching and expanding the careers of several excellent educational composers. It would be easy to overlook that Cobb is herself an outstanding composer.


Having recently signed to Hal Leonard as global distributors for EVC Music, her music is once again in the spotlight, and there’s never been a better time to remind readers of two excellent collections which showcase Cobb’s own, brilliant creative voice…

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Celebrating Saint-Saëns

Selected and Reviewed by Andrew Eales
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Centenary years offer an opportunity to celebrate and perhaps reevaluate the works of significant composers from earlier times, and in 2021 (to be precise, on 16th December) we mark the 100-year anniversary of the death of the great French composer Camille Saint-Saëns (1835-1921).

Though best known for orchestral works, including the universally-known Carnival of the Animals, the Danse macabre, the ‘Organ’ Symphony, and his concertos (including five for piano and orchestra), Saint-Saëns also composed a significant body of solo piano music which, these days, is too little played.

This is no doubt in part because his Liszt-inspired writing renders Saint-Saëns’ solo piano music inaccessible to all but the most advanced virtuosi. Pedagogy occupied little of the composer’s time: a fairly brief stint at the École de Musique Classique et Religieuse in Paris and thereafter occasional coaching (his students including Godowsky). The result: no music composed for formative educational purposes, pre-diploma.

Saint-Saëns’ legacy has suffered in other ways too, including a not entirely fair perception that his music, though sparkling, is essentially superficial. His infamous derision for younger contemporaries such as Debussy and Milhaud no-doubt further alienated him from the public of his later years.

In this revisitation and celebration of Saint-Saëns’ piano music, I will explore the key solo piano publications from Éditions Durand, who are regarded as the definitive publishers of this repertoire…

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Christmas Songs for Kids

Selected and reviewed by Andrew Eales
Find out more: About Pianodao Reviews


Joining the rather crowded market of elementary Christmas piano collections, Hal Leonard’s newly released Christmas Songs for Kids aims to deliver,

This tastefully clothed collection is definitely tempting in its excellent presentation, so let’s peek within the covers to see what’s inside…

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