Pianodao

The Beatles • Graded Pieces

Selected and Reviewed by Andrew Eales
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With last year’s publication of Calming Christmas Carols for Graded Piano, Willis Music Company introduced the fresh and rather neat idea of curating an anthology of popular music, presented in arrangements suitable for players from Grades 1-5, divided into sections that progress accordingly.

In my review, I noted:

“Cleverly, and rather uniquely positioned as the progressive collection to which learners can reliably return each year throughout their Elementary to Intermediate piano journey, and thus maximising the book’s continuing value to teachers, learners, and parents, the concept is certainly attractive.”

I’m not surprised to see Hal Leonard visit this useful and inspiring concept, this time delving into the enduring songbook of The Beatles for material, and with ace arranger Christopher Hussey on board, whose name you may recall from the brilliant Gradebusters! series, which I have reviewed here.

From me to you, here’s my review…

Creativity is a Dialogue

Fermata • Pause and Reflect

Supporting Your Piano Pathway
Reflection by Andrew Eales

Developing creativity is one of the high goals of learning an instrument. And yet over the decades I’ve taught, those advancing a more creative approach have been variously seen as either maverick outliers or magical superstars, but rarely as the piano teacher norm.

I have also met some who emit an impression that improvising pianists are somehow superior to those who “merely” regurgitate the music of others. Some even cast the concert pianist who can rattle off Rachmaninoff as a rather pitiable savant, akin to an imagined orator who can deliver a Shakespeare soliloquy, but who can’t hold a real conversation.

I think they are quite profoundly wrong. Having frequently improvised in front of an audience, I feel considerably less comfortable rising to the challenge of performing Chopin to the classical cognoscenti. I suspect many would. We all have different strengths, and need not compete.

And I would say that the creative arts of interpretation and improvisation are equal in value, complimentary in nature, and both have an important role to play in piano education.

The Year of the Horse

Fermata • Pause and Reflect

Supporting Your Piano Pathway
Reflection by Andrew Eales

Since ancient times, the Chinese have followed the lunar calendar, New Year coinciding with the first hint of Spring’s arrival in the northern hemisphere.

New Year’s Eve 2026 falls on Monday 16th February, heralding the start of Spring Festival, which culminates two weeks later with the Festival of Lanterns on Tuesday 3rd March.

The years are traditionally named after the twelve symbolic animals of the Chinese zodiac. These are multiplied by the ‘Five Elements’ of traditional Daoist cosmology to create a 60 year cycle. Following on from the Year of the Wood Snake, we now enter the Year of the Fire Horse.

Regardless of how we view ancient beliefs and customs, it does us no harm to reflect on our lives and progress using the cycle of the seasons and calendar of old traditions as a simple tool.

Peter and the Wolf

Educational Resources

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews

Here’s a delight! Peter and the Wolf is one of a number of books that make up a colourful series from Schott Music, called ‘Get to Know Classical Masterpieces‘.

Featuring the whole of Prokofiev’s masterpiece of musical storytelling in a “simple arrangement for piano”, the book is the work of the ever-industrious Hans-Günter Heumann. The full story is presented in an English translation by Julia Rushworth, and with superb colour illustrations throughout by Brigitte Smith.

The book can comfortably be recommended, but the review that follows will assess the difficulty level of the piano writing and consider, as usual, who this publication is particularly suitable for. Read on for more details, and a list of other titles in the series…

Lang Lang Piano Book 2

Pianodao Music Library

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews

The Lang Lang Piano Book is undoubtedly one of the music publishing landmarks of recent years, a collection of inspiring pieces for advancing players selected by the classical superstar in part because of the joy many of them added to his own musical learning as a child. Now available as the paperback Encore Edition, I have reviewed it here in depth.

Following the success of the original publication and CD double album, a sequel was perhaps commercially inevitable, and is now here. Lang Lang Piano Book 2 delivers another 30 piano pieces, both as a recorded album from Deutsche Grammophon (CD, vinyl, download, streaming), and as a Faber Music piano anthology.

We are told that for this second installment the pianist has included “a rich blend of playable classics alongside neoclassical pieces and music from film, pop and video games”, marking something of a departure from the first collection. So let’s investigate further…

ABRSM Jazz Piano Solos

Educational Resources

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews

When ABRSM announced their Jazz Piano syllabus Grades 1-5 back in 1998, and published a raft of outstanding books and recordings to support it, I was at the front of the queue for copies, and one of the many who rejoiced at the arrival of such a superb resource.

Here, at last, was a well-thought out, superbly paced approach for introducing swing, blues, Latin and modern jazz styles, all with integrated improvisations, relevant scales, aural, and technical development.

In the years since, while I’ve not used the actual exams, many of my students have enjoyed the excellent music, learning core jazz skills from the course materials. I have still enjoyed playing and teaching the accessible jazzy pieces and arrangements available elsewhere, but these ABRSM books have been a mainstay for teaching jazz “properly”.

An update of the lower grades, and continuation into the higher ones, has long been requested. In the meantime ABRSM have released three music books in their Nikki Iles & Friends series (reviewed here).

Now, more than a quarter of a century after their first five grades appeared, they have published a syllabus specification for new, video assessed Jazz ‘Performance Grades’ 6-8, together with a Jazz Piano Solo Pieces Grades 6-8 book including five pieces from each Grade level. Let’s take a look…

Mélanie Bonis • Children’s Albums

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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The superb Schott Student Edition series has recently grown to include two very welcome volumes of music for children by the Late Romantic French composer Mélanie Bonis.

The Album pout les tout-petits Op.103 includes 20 pieces suitable for elementary players (around UK Grades 1-3), while the eight pieces that make up Scènes enfantines Op.92 will suit intermediate players (UK Grades 4-6).

Both books are edited by the indomitable Melanie Spanswick, who has also written an excellent introduction which includes a composer biography, and several pages of in-depth teaching notes.

These excellent volumes are an important addition to the pedagogy repertoire, and in this review I will consider each of the two sets after first briefly introducing the composer…

David Jones • A Piano Journey

The Pianodao Interview

Pianists in Conversation with Andrew Eales

David Jones has enjoyed an enviable career as a pianist, educator, and music examiner. Currently Head of Piano at the prestigious Cheltenham Ladies’ College, he is also the founder and driving force behind The Thinking Pianist residential courses for adult pianists.

In this wide-ranging interview, I talk to David about the highs and lows of his career, the personal struggles and positive vision which inspire his work…

Mendelssohn • Masterpieces

Pianodao Music Library

Selected and Reviewed by Andrew Eales
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Edition Peters’ Masterpieces for Piano series launched last year with three initial titles devoted to the great keyboard works of Mozart, Beethoven, and Schubert, expertly compiled by Roland Erben and given fresh modern engravings based on the publisher’s esteemed legacy editions.

Each of the beautifully presented bumper books in the series so far offers a significant selection of core repertoire, suitable for (predominantly) early advanced players. And they proved to be one of the music publishing highlights of the last year.

Now Erben is back, with a volume of music by Clara Schumann coming soon, but firstly a new collection of Felix Mendelssohn’s most popular works. How many of them have you played?

Bearing in mind Mendelssohn’s importance and popularity, it may come as a surprise that in the last ten years of reviewing music on Pianodao, this is the first time I have been sent a new publication of his music for consideration.

Happily, this might be the only one you will ever need. Let’s find out…

Kristina Arakelyan’s ‘Musical Vegetable Patch’

Pianodao Music Library

Selected and Reviewed by Andrew Eales
Find out more: About Pianodao Reviews

Armenian-British composer Kristina Arakelyan is rapidly gaining recognition as a leading voice in contemporary classical music, with works performed by top artists in concert halls worldwide. She is also an accomplished concert pianist, and in my view her 2025 album Dreamland, featuring her own solo works, confirms her as an important pianist-composer for our time.

Readers may recognise Arakelyan from the updated Piano Time method series reviewed here, and be familiar with her beautiful piece Daydream, which appeared in the ABRSM Grade 2 syllabus in 2023-24. In this review I will consider her latest foray into piano education, a slim publication from publishers Stainer & Bell.

The Musical Vegetable Patch bears the lofty subtitle ‘introducing the classical music periods to early-grade pianists’, and includes at its heart six elementary pieces suitable for players at around UK Grades 1-2. Each showcases a different musical style, and is blessed with a title that mixes the name of a famous composer with, erm, a vegetable.

This highly imaginative and educational collection aims to enthuse youngsters while gently introducing them to music periods, styles, and composers. And each page includes a quirky, hand-painted ink and watercolour illustration by Rosie Brooks (also of Piano Time fame). Let’s find out how this distinctive and nutritious concept plays out…