Active Repertoire: The 2021 Challenge

ACTIVE REPERTOIRE PROJECT
Music you can play, any time, any place


For piano players, like everyone else, 2020 has been a huge struggle.

We have needed to re-evaluate our goals and quickly change many of our plans. But in the midst of the turmoil, many of us have found a renewed enthusiasm for piano playing, while many more have returned to the piano or taken up playing for the first time.

We enter 2021 with growing numbers of pianists and teachers embracing a fresh direction and revitalised piano goals.

Whether disenchanted with a dull exam-driven formula or eager to disentangle from over-prescriptive methodology, many are now hungry for a more inspired musical approach.

We want to embrace a more motivated, positive version of ourselves at the piano!

Thankfully, there is an answer…

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ABRSM “Core Classics” – The Review

SHEET MUSIC REVIEW • by ANDREW EALES
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Once in a while, a publication arrives for review which is based on a great concept and is itself essentially a very good product, but where the mismatch between the original intention and its actual delivery is a glaring one, as though at some point in the developmental process there was a communication breakdown.

Core Classics: Essential Repertoire for Piano, a set of seven progressively “graded” solo repertoire books published worldwide today by ABRSM, is a striking example of this phenomenon.

That is a particular disappointment, given that this is actually a beautifully presented and musically interesting series. So let’s find out exactly what Core Classics has to offer…

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Do you believe in classical music?

Wonderful news: the latest figures from the BPI reveal that sales and streaming of recorded classical music grew by 10.2% in 2018 compared to the 2017 figures.

This compares to the much lower 5.7% growth in other genres. In fact, classical CD sales grew by 6.9%, while most other genres actually saw a decline in sales.

And online streaming of classical music grew by a whopping 42%, compared to the 33% rise in the overall market. These figures are presented and discussed in this BBC News article.

Some will no doubt quibble over the specific artists and composers featured in the statistics, and we must admit that the categories formulated by salespeople and marketeers rarely tell the whole story. But those of us who really believe in classical music won’t be surprised by its upsurge and enduring popularity. We know that once people encounter good music, it can wield its transformative power.

It is odd, then, that so many piano teaching colleagues seem to largely avoid classical music unless and until it is specifically requested by a student or required for an exam. Why is this?

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The Classical Piano Sonata

THE PIANODAO BOOKSHELF
Books for piano players, teachers, students and enthusiasts


“Since my youth I have been fascinated by sonata form and, over a period of some forty years, all the programmes I have performed have been centred on works in that form. Therefore this book is a labour of love as much as, hopefully, a useful guide to some of the most marvellous music ever conceived.”

So writes Michael Davidson of his superb book The Classical Piano Sonata, which has since its publication in 2004 become something of a classic itself, and an indispensable guide for every serious pianist and music-lover.

Let’s take a closer look at the book, and evaluate what it is which makes it such an essential addition to the pianist’s library…

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