Discover Timeless Classics

PATHWAYS FOR PLAYING • by ANDREW EALES
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To what extent does your voice today harmonise with the chorus that went before you?

A ‘deep’ question perhaps, and one which we can use to ground ourselves, a reminder of that which is more permanent in our lives, as well as more broadly indelible in our communities, history and culture.

The Music We Play

When it comes to the music we play, bombarded with the new we can lose sight of those established favourites and foundations which have nurtured and nourished us before, and which in many cases have been treasured by previous generations.

As a piano teacher, I am thrilled that such a wealth and variety of new piano music comes my way. Overwhelmed, even. Through my reviews I try to promote a rich and varied selection of the very best new music suitable for all levels of player. Sometimes readers mention that it is too much, and certainly we all need to cherry-pick the fresh discoveries that excite us most.

It would be possible for a pianist or teacher to use these latest publications as the core of their performing or teaching repertoire, ignoring all that went before. Those newer to the piano may well choose to do so. But what of our peerless heritage?

As pianists we have an astonishing range, depth and wealth of repertoire upon which we can fix our gaze and focus our practice…

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ABRSM “Core Classics” – The Review

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


Once in a while, a publication arrives for review which is based on a great concept and is itself essentially a very good product, but where the mismatch between the original intention and its actual delivery is a glaring one, as though at some point in the developmental process there was a communication breakdown.

Core Classics: Essential Repertoire for Piano, a set of seven progressively “graded” solo repertoire books published worldwide today by ABRSM, is a striking example of this phenomenon.

That is a particular disappointment, given that this is actually a beautifully presented and musically interesting series. So let’s find out exactly what Core Classics has to offer…

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Do you believe in classical music?

PATHWAYS FOR TEACHING • by ANDREW EALES
Lessons & Advice • BOOK A CONSULTATION


Great news: the latest figures from the BPI reveal that sales and streaming of recorded classical music grew by 10.2% in 2018 compared to the 2017 figures.

Taking a closer look, classical CD sales grew by 6.9%, while most other genres saw a decline. Meanwhile, online streaming of classical music grew by a whopping 42%, compared to the 33% rise in the overall market. These figures are presented and discussed in this BBC News article.

Some will no doubt quibble over the specific artists and composers featured in the statistics, and the categories formulated by salespeople and marketeers rarely tell the whole story.

But those of us who believe in promoting classical music won’t be surprised by its upsurge and enduring popularity. We know that once people encounter good music, it can wield its transformative power.

It is odd, then, that some piano teacher would seem to largely avoid classical music unless and until it is specifically requested by a student or required for an exam. Why is this?

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The Classical Piano Sonata

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“Since my youth I have been fascinated by sonata form and, over a period of some forty years, all the programmes I have performed have been centred on works in that form. Therefore this book is a labour of love as much as, hopefully, a useful guide to some of the most marvellous music ever conceived.”

So writes Michael Davidson of his superb book The Classical Piano Sonata, which has since its publication in 2004 become something of a classic itself, and an indispensable guide for every serious pianist and music-lover.

Let’s take a closer look at the book, and evaluate what it is which makes it such an essential addition to the pianist’s library…

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